Exhibitions, Italy, Bologna, 28 January 2011
Literally, "Big Bang Your Self" means nothing.
The term is untranslatable, does not exist in the language and the result is a neologism of fervent underground subculture.
The show's title is intended as a provocation as was the fortunate "nonsense" from which derived the eponymous dada, the verbigerazione, in this case does not claim the right to recite the birth of a movement, even at identifying the Highlights of a poster, simply the idiom "Big Bang Your Self", invented in relation to the context of the exhibition for the "By ...", makes sense if understood as an instrument of observation, if conceived as a lens that examine the present and analyzes it looking for relationships between elements that belong to it.
Crossing the etymological sense of provocation ("pro vocatio" or call ahead) and the lens metaphor, the result is the conceptual features of "Big Bang Your Self" which, essentially nominal stimulus, creates many opportunities for playful hug polysemic: the magnitude autonomous lexical "Big Bang Your Self", therefore, means in relation to the context of the artist in relation to the possibility of everyone to hear the sound of the blast and to interpret primitive.
Approved under a condescending language of poetic license, the onomatopoeic expression "Big Bang" that belongs more to the context of other disciplines who have used the cosmological incisiveness metaphorize score for the mysterious "bang" from which, it seems, everything began origin. It 's interesting, then, translate the scientific background of the Big Bang, understood as a development model of the universe, a metaphor for cultural model, making it a fee based on the observation, the semantic shift is maximum incision in Peebles: "The theory the Big Bang describes how our universe evolved, it began as "and, on the basis of this statement, curatorial focus to observe a particular moment in the evolution of art: My interest is not universal search for the quid creates contemporary poetry but through the works of five young artists, show the status of individual research in its value of this joint request.
The show should be a "snapshot" in the content but subjective objective in choosing the frame that shows the "Zeitgeist" contemporary to the first decade of 2000 through the concept of "expansion" body in contemporary society: every artist on the basis its own idea of the future, develop their own "Big Bang" or its developmental dimension which contains intrinsically consciousness of the 'was' and, therefore, carries out the first principle in the mix of Cronos and spirit.
In this particular dimension which refers to the human being, the idea of evolution through the development of art may seem a tautology, in fact the logical impasse is released from the curatorial choice that shows the different hypostasis interpretation: so if Alexandros Yiorkadjis with "Introspection" is the need for individual analysis as a source of balance between the sources of instincts, Monia Marchionni with the installation "In-defense" and Bellumore + Marchionni with the photo "Varying-defer" critical condition (now existential ) and the precariousness of the deleterious consequences on the individual, Chiara Valentini reflects the physical limitations of man as a box while Domenico Grenci with his portrait bears the reflection in the size of the figure intelligible eternally suspending the hair of memory and oblivion at the Similarly, but with different results, Fabrizio Carotti, instead, collects the fragments of the explosion of figurative art history in a clever adhesive aesthetic of digital painting.
The critical perspective, however subjective, will measure the density of art
and the temperature of society and at the same time, playing on the neologism, "Big Bang Your Self" as reflexive verb, intended as a warning to the company itself, a sort of "explode", "evolving" that places art as input, "provocation" on ethical reaction, an essential tool to solicit the attention and perceptual enhance the dynamism of the 'Being' (understood as evolutionary principle of Hegel's memory) due to its continuous take another takes place in a dimension of historicity which corresponds to life.
The need to capture the spirit of an era and at the heart of research on the human body (and its cultural prosthesis) starts from the reflection that man as a rational being, that is only flesh, so every thought needs " brute matter "for generations in the complex rituals and the individual variations in the different passes through the body of self and others to understand: it is the body that" we meet ", is the body of the element affected the inter-converter "balance" between existential being / appearing.
"Big Bang Your Self" therefore, accepted the ontological disambiguation is proposed as a cosmological hypothesis (Kosmos: order, logos: speech) that creates a summary table in flux observed with the instruments of the "science of art."
See
Studio Di Nardo Via Castiglione No. 22 on the ground floor, Bologna
Opening hours
Friday, January 28: 19:30:00 at 22:00 pm
Saturday, January 29, from 15.30 to 24.00
Sunday, January 30, from 15:30 to 19:00
Monday, January 31: from 10.30 to 13.00
Program
Vernissage Friday, January 28 at 19:30
Special opening during the evening "Art White Nignt" of Saturday, January 29 from 24:00
Appointment to be agreed with the Association CaseAperte You can watch the shows at times other than those prescribed and in the days following Art Fair until February 6.
Free admission
Contact
Alice Zannoni: 329 8142669
Paul isolate: 348 8052679
www.caseaperte.it
The term is untranslatable, does not exist in the language and the result is a neologism of fervent underground subculture.
The show's title is intended as a provocation as was the fortunate "nonsense" from which derived the eponymous dada, the verbigerazione, in this case does not claim the right to recite the birth of a movement, even at identifying the Highlights of a poster, simply the idiom "Big Bang Your Self", invented in relation to the context of the exhibition for the "By ...", makes sense if understood as an instrument of observation, if conceived as a lens that examine the present and analyzes it looking for relationships between elements that belong to it.
Crossing the etymological sense of provocation ("pro vocatio" or call ahead) and the lens metaphor, the result is the conceptual features of "Big Bang Your Self" which, essentially nominal stimulus, creates many opportunities for playful hug polysemic: the magnitude autonomous lexical "Big Bang Your Self", therefore, means in relation to the context of the artist in relation to the possibility of everyone to hear the sound of the blast and to interpret primitive.
Approved under a condescending language of poetic license, the onomatopoeic expression "Big Bang" that belongs more to the context of other disciplines who have used the cosmological incisiveness metaphorize score for the mysterious "bang" from which, it seems, everything began origin. It 's interesting, then, translate the scientific background of the Big Bang, understood as a development model of the universe, a metaphor for cultural model, making it a fee based on the observation, the semantic shift is maximum incision in Peebles: "The theory the Big Bang describes how our universe evolved, it began as "and, on the basis of this statement, curatorial focus to observe a particular moment in the evolution of art: My interest is not universal search for the quid creates contemporary poetry but through the works of five young artists, show the status of individual research in its value of this joint request.
The show should be a "snapshot" in the content but subjective objective in choosing the frame that shows the "Zeitgeist" contemporary to the first decade of 2000 through the concept of "expansion" body in contemporary society: every artist on the basis its own idea of the future, develop their own "Big Bang" or its developmental dimension which contains intrinsically consciousness of the 'was' and, therefore, carries out the first principle in the mix of Cronos and spirit.
In this particular dimension which refers to the human being, the idea of evolution through the development of art may seem a tautology, in fact the logical impasse is released from the curatorial choice that shows the different hypostasis interpretation: so if Alexandros Yiorkadjis with "Introspection" is the need for individual analysis as a source of balance between the sources of instincts, Monia Marchionni with the installation "In-defense" and Bellumore + Marchionni with the photo "Varying-defer" critical condition (now existential ) and the precariousness of the deleterious consequences on the individual, Chiara Valentini reflects the physical limitations of man as a box while Domenico Grenci with his portrait bears the reflection in the size of the figure intelligible eternally suspending the hair of memory and oblivion at the Similarly, but with different results, Fabrizio Carotti, instead, collects the fragments of the explosion of figurative art history in a clever adhesive aesthetic of digital painting.
The critical perspective, however subjective, will measure the density of art
and the temperature of society and at the same time, playing on the neologism, "Big Bang Your Self" as reflexive verb, intended as a warning to the company itself, a sort of "explode", "evolving" that places art as input, "provocation" on ethical reaction, an essential tool to solicit the attention and perceptual enhance the dynamism of the 'Being' (understood as evolutionary principle of Hegel's memory) due to its continuous take another takes place in a dimension of historicity which corresponds to life.
The need to capture the spirit of an era and at the heart of research on the human body (and its cultural prosthesis) starts from the reflection that man as a rational being, that is only flesh, so every thought needs " brute matter "for generations in the complex rituals and the individual variations in the different passes through the body of self and others to understand: it is the body that" we meet ", is the body of the element affected the inter-converter "balance" between existential being / appearing.
"Big Bang Your Self" therefore, accepted the ontological disambiguation is proposed as a cosmological hypothesis (Kosmos: order, logos: speech) that creates a summary table in flux observed with the instruments of the "science of art."
See
Studio Di Nardo Via Castiglione No. 22 on the ground floor, Bologna
Opening hours
Friday, January 28: 19:30:00 at 22:00 pm
Saturday, January 29, from 15.30 to 24.00
Sunday, January 30, from 15:30 to 19:00
Monday, January 31: from 10.30 to 13.00
Program
Vernissage Friday, January 28 at 19:30
Special opening during the evening "Art White Nignt" of Saturday, January 29 from 24:00
Appointment to be agreed with the Association CaseAperte You can watch the shows at times other than those prescribed and in the days following Art Fair until February 6.
Free admission
Contact
Alice Zannoni: 329 8142669
Paul isolate: 348 8052679
www.caseaperte.it
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