Exhibitions, Italy, Roma, 06 October 2012
OSB - OBSESSION sign-DIMENSIONAL
Patterns, traces and symbols in the painting of Ariadne Bonamore
That wood chips, long and narrow, held together by an adhesive at random might contain clues about the unpredictability of modern life, is in the high strings of creativity diverse and authentic Arianna Bonamore.
OSB, Oriented Strand Board is spurious, yet the material constitutive of his last works, remains of such raw wood strand, whose assembly determines paths, shapes and formal grounds that the artist can choose to indulge, accentuating the orientation with the acceleration color or ignore, leaving bare and original nature prevail. The alternation of the intervention generative artist or his abstention, together with the original fabric of the material, drawing textures of great aesthetic impact, matter affects the artist and the orientation in the same way in which the artist gives a flow, an address, with its impeccable gesture.
It is no coincidence that a painter so sensitive and responsive to social issues, the psychological facets and human used to manipulate symbols and metaphors, such as Bonamore decides to intervene critically on this material that both recalls the contemporary life and impress his allegories, its create. It is a 'encroachment on the plot of the primordial material, of course, but it is above all a talk about the many lives with his fortunes and unexpected turns, continuous fractures that feed on hopes and disappointments create. Those fractures and shifts of the self that generate the character and start on a path that can be allocated or all pure choice. Just as the figure seems predestined formal Bonamore, which is obliged to follow expressive forms already given, as intrinsic to the material used and therefore imposed by third parties. Even in the above figure, however, may lie a choice or a chance expressive and then aesthetics. The Bonamore, without hesitation, supports it.
Patterns, traces and symbols in the painting of Ariadne Bonamore
That wood chips, long and narrow, held together by an adhesive at random might contain clues about the unpredictability of modern life, is in the high strings of creativity diverse and authentic Arianna Bonamore.
OSB, Oriented Strand Board is spurious, yet the material constitutive of his last works, remains of such raw wood strand, whose assembly determines paths, shapes and formal grounds that the artist can choose to indulge, accentuating the orientation with the acceleration color or ignore, leaving bare and original nature prevail. The alternation of the intervention generative artist or his abstention, together with the original fabric of the material, drawing textures of great aesthetic impact, matter affects the artist and the orientation in the same way in which the artist gives a flow, an address, with its impeccable gesture.
It is no coincidence that a painter so sensitive and responsive to social issues, the psychological facets and human used to manipulate symbols and metaphors, such as Bonamore decides to intervene critically on this material that both recalls the contemporary life and impress his allegories, its create. It is a 'encroachment on the plot of the primordial material, of course, but it is above all a talk about the many lives with his fortunes and unexpected turns, continuous fractures that feed on hopes and disappointments create. Those fractures and shifts of the self that generate the character and start on a path that can be allocated or all pure choice. Just as the figure seems predestined formal Bonamore, which is obliged to follow expressive forms already given, as intrinsic to the material used and therefore imposed by third parties. Even in the above figure, however, may lie a choice or a chance expressive and then aesthetics. The Bonamore, without hesitation, supports it.
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