Exhibitions, Italy, Roma, 28 March 2014
press release
FREE INSPECTIONS II
Espero - District-
The Galleria Minima from 28 March to April 12, 2014 , will host the works of Cosimo Angeleri in a solo exhibition titled " Free Inspections II - Espero District ."
" Espero District " e'interpretazione synthetic - architecture of a Roman suburbs ( Hesperus district , the old name of the area auratic Sacco pastor / aniene / staz.Nomentana ) .
The figures - traces are found objects and street furniture moved; metaphysical and box .
Traccismo , art not the walls which you would like street artist , but the sidewalks , where it is not painted but virtually conjured up what is already Cooperation, co- thinking of those who " saw " given meaning and time , the city, nature ( ? ) who have "painted" .
Inspection / found , two keywords to find a bridge between the technical and combinatorial functional use of the photograph by the artist.
Found objects but moved; , parts of Rome , potholes asphalt crosswalks, taken away from their stasis and immovability and also left them , where everyone can find them , redoing the path and relying on the optics of the sculptor.
Photos to be regarded as "documents" , spaces for renaming, re-appropriation , SCULPTURES " Nude" as indicative , " Free ," according to the logic of the case and the look of the artist walking , ergo traccista and metaphysical way.
"I, I carved as a traveling museum , which can , with a last effort to become stable" ( Cosimo Angeleri ) .
FREE INSPECTIONS II
Espero - District-
The Galleria Minima from 28 March to April 12, 2014 , will host the works of Cosimo Angeleri in a solo exhibition titled " Free Inspections II - Espero District ."
" Espero District " e'interpretazione synthetic - architecture of a Roman suburbs ( Hesperus district , the old name of the area auratic Sacco pastor / aniene / staz.Nomentana ) .
The figures - traces are found objects and street furniture moved; metaphysical and box .
Traccismo , art not the walls which you would like street artist , but the sidewalks , where it is not painted but virtually conjured up what is already Cooperation, co- thinking of those who " saw " given meaning and time , the city, nature ( ? ) who have "painted" .
Inspection / found , two keywords to find a bridge between the technical and combinatorial functional use of the photograph by the artist.
Found objects but moved; , parts of Rome , potholes asphalt crosswalks, taken away from their stasis and immovability and also left them , where everyone can find them , redoing the path and relying on the optics of the sculptor.
Photos to be regarded as "documents" , spaces for renaming, re-appropriation , SCULPTURES " Nude" as indicative , " Free ," according to the logic of the case and the look of the artist walking , ergo traccista and metaphysical way.
"I, I carved as a traveling museum , which can , with a last effort to become stable" ( Cosimo Angeleri ) .
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