Exhibitions, Italy, Reggio Emilia, Reggio nell'Emilia, 19 March 2011
Saturday, March 19, 2010 will be inaugurated at 17.30 at the gallery in Piazza Antonio Fontanesi Metamorphosis 5 / A in Reggio Emilia, an exhibition of artists MACRO & micro.The exhibition explores the role played by space dimension in artistic creation.
Group exhibition
Maurizio Farina, Rossella Liccione, Maria Carla Mancinelli, Rachele Mari-Zanoli, Ida Monopoli, Gisella Pasquali, Andrea Paganini, Elisabetta
Pogliani, Chiara Ricardi, Marialuisa Sabato, Angela Scappaticci, Scegle, Stefano Sorrentino.
Duration: From March 19 to April 1, 2011
OPENING: Saturday, March 19 17:30
HOURS: Tuesday, Wednesday, Friday and Saturday at 10.00/13.00 and 16.00/20.00
LOCATION: Metamorphosis Gallery
ADDRESS: Piazza Antonio Fontanesi 5 / A - Reggio Emilia
Curator: Marina Zatta
INFO: tel. 0522.1710432, cell. 333.7330045
@ Mail: soqquadro@interfree.it - R03;R03;info@galleriametamorfosi.it
www.soqquadro.eu - www.artemetamorfosi.it
What would be great if it were the Mona Lisa? And Pollock's paintings if they were tiny? The size of the work is an important factor in the design narrative work of art ..
On the subject of a text he wrote for Soqquadro reflection Carla Melandri:
Nobody would fall for Crime and Punishment when Raskolnikov was a pamphlet of a few pages and, similarly, the minimalist and ethereal sweetness of a Haiku is nothing if it were a work in two volumes. Programmatic works of modernity, then, are always based on their size: The Fourth Estate, for example, the size of a revolutionary idea that advancing, almost life-size, to disrupt the peaceful existence of the bourgeois observers, Le Demoiselle d'Avignon, however, with their vast impertinence and loudly proclaim their role as a transition from ancient to modern, Pollock's works are as big as the world's hidden inside, the latest Monet water lilies are not but drawings of a vague and indefinite immensity. On the other hand, Impression, soleil levant by Monet or Kandinsky's Blaue Reiter, in their physical smallness, contain both a creative and revolutionary violent tension strain gauge, which has led them to upset all the pre-established canons of painting and life-giving name - their own artistic movements. Guernica is directly proportional to the size of a horror that complaint, an immense space in which the explosion is brought into the form, repeating it endlessly on the canvas. But it happens sometimes that infinitely small and infinitely large may be found in works such as The Grand-Jatte by Seurat, whose dots, representing an infinite microscopic merge to create a macroscopic iconographic universe. Micro and macro as statements of poetics, then, as a policy, as a revolution, as two components of the universe. "
Group exhibition
Maurizio Farina, Rossella Liccione, Maria Carla Mancinelli, Rachele Mari-Zanoli, Ida Monopoli, Gisella Pasquali, Andrea Paganini, Elisabetta
Pogliani, Chiara Ricardi, Marialuisa Sabato, Angela Scappaticci, Scegle, Stefano Sorrentino.
Duration: From March 19 to April 1, 2011
OPENING: Saturday, March 19 17:30
HOURS: Tuesday, Wednesday, Friday and Saturday at 10.00/13.00 and 16.00/20.00
LOCATION: Metamorphosis Gallery
ADDRESS: Piazza Antonio Fontanesi 5 / A - Reggio Emilia
Curator: Marina Zatta
INFO: tel. 0522.1710432, cell. 333.7330045
@ Mail: soqquadro@interfree.it - R03;R03;info@galleriametamorfosi.it
www.soqquadro.eu - www.artemetamorfosi.it
What would be great if it were the Mona Lisa? And Pollock's paintings if they were tiny? The size of the work is an important factor in the design narrative work of art ..
On the subject of a text he wrote for Soqquadro reflection Carla Melandri:
Nobody would fall for Crime and Punishment when Raskolnikov was a pamphlet of a few pages and, similarly, the minimalist and ethereal sweetness of a Haiku is nothing if it were a work in two volumes. Programmatic works of modernity, then, are always based on their size: The Fourth Estate, for example, the size of a revolutionary idea that advancing, almost life-size, to disrupt the peaceful existence of the bourgeois observers, Le Demoiselle d'Avignon, however, with their vast impertinence and loudly proclaim their role as a transition from ancient to modern, Pollock's works are as big as the world's hidden inside, the latest Monet water lilies are not but drawings of a vague and indefinite immensity. On the other hand, Impression, soleil levant by Monet or Kandinsky's Blaue Reiter, in their physical smallness, contain both a creative and revolutionary violent tension strain gauge, which has led them to upset all the pre-established canons of painting and life-giving name - their own artistic movements. Guernica is directly proportional to the size of a horror that complaint, an immense space in which the explosion is brought into the form, repeating it endlessly on the canvas. But it happens sometimes that infinitely small and infinitely large may be found in works such as The Grand-Jatte by Seurat, whose dots, representing an infinite microscopic merge to create a macroscopic iconographic universe. Micro and macro as statements of poetics, then, as a policy, as a revolution, as two components of the universe. "
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