''Visible SPACE''
Exhibitions, Italy, Salerno, Agropoli, 17 December 2011
''Visible SPACE''

LORENZO VICINO

exhibition

Agropoli (SA) Italy

(Corner of street Pio X-street C.Colombo. In front of post office)

by December 17, 2011 - January 8, 2012 to

Open 24 hours on 24





Vicino Lorenzo has already highlighted the passion for the mix of techniques, materials and colors, and original techniques "in some respects innovative use of synthetic paints are multi-material to collage with sand and industrial paints, use cement pastes and mortars. "

Moreover, "the survey in the world of emotions and feelings,''
which is already expressed in the double-sided series of paintings at the center of the "Hall of the French" the castle of Agropoli, in a recent exhibition that also included the issue of the origin of the universe and the "Night S. Lorenzo "with its shooting stars.

The thought of the artist, always ready to indulge in new suggestions, but always within its dialectic that confronts the world and man, reality, dreams and hopes, now agrees to show us in a setting almost familiar, more intimately communicating his message, released by the cold atmosphere of a simple show, his relationship with the universe, in a relentless diDalettica no place in which ideas of pure aspiration, once courted by the artist immersed in a stage of pure meditation (ideas-white spots embedded in a white background). The universe is now seen at the commencement of the darkest, most image of the 'anti-matter, that it contains, which, however, is formulated in ways more or less clear the presence of human hopes and choices towards the realization of social expectations in the head as well as individual and of humanity, which the artist stands at the center of the universe, in-depth look at the various states of consciousness and expressed in casts or circular spots, which in itself marks more or less extensive than white, or other entirely illuminated by white light, which is concrete and achieve a deeper understanding of the existential problems.

In the next phase, the material melts in the primitive foundry, pouring in a reality that, by no means static, as the Greek philosophers is enveloped in a swirl that the artist shows with large brushstrokes and enveloping, but unencumbered by the laws of Newton but light, almost intangible, as may be the spirituality of human thought, which discusses the dicontomia cosmos-heaven (blue) and the clarity of the hopes and deeds in order to present and to a better future (yellow ).

An artist's earliest work, where a road is drawn between isolates of different colors and a bicycle that he poses next to this, they mean the adjustment of his thought to the most current topics, such as the understanding of an increasingly cosmopolitan and at the same time, the accelerating pace of our times, who can not face them without adequate movement for harmony between the spiritual and physical, according to the values R03;R03;of humanism.

In fact, the man while part of a society that seems to send him all the elements of which he needs for his opinion and his action (the TV), it remains alone with himself in making decisions; sitting on his chair, is not intended to relax, but must focus wisely in the maze of reality, which still hangs over him worth the risk of not understanding the world in which he lives, or at least not to participate actively in its successful development, easy or difficult it is.




Anthony Capano



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