Exhibitions, Italy, Salerno, Cava de' Tirreni, 02 June 2013
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'' It's easy to say brushstroke''
The brush (in the strict sense) is a too restrictive.
To satisfy my hand (but also my arms, since the movement of them is nearly so large as to plow the canvas) in the creation of my 'Signs',
I build my own tools from Special.
Of the gestures I make 'the ultimate meaning of my painting
Lorenzo Vicino
I consider myself a multifaceted artist and I never hesitated to call myself a painter. Absorb the passion for the informal and now, thanks to this 'attendance', you do the show to be retrospective, but insists above all on the last production. It and 'the result of careful observations and reflections, and wants to stigmatize my point of arrival, telling my passionate journey of discovery and growth. I started painting very young, motivated by a personal natural impulse, which suggests to me the color and the sign. For my innate gift and I feel privileged to not following regular courses of painting technique or school of art, I can define a self-taught. I definitely watched the masters but - and here is to point out my original feature - "I have made hand" imitating or copying. I immediately showed my character, identifying with certainty my subjects and my signs. Due to these peculiarities, my work has always been immediately identifiable, despite the continuous revisions and changes of signs and colors. I prefer the informal gestural (action painting) and the Informal material, even if not disdain to venture into the informal Spatialism and sign painting. This alternation, although minimal, is not a sign of uncertainty, but there is more than willing to tell paths of mind and soul without a filter. Feelings and thoughts may be necessary, however powerful, in my performances. The paintings thus emerge, with the predominant color from time to time in the abstract, 'towering figures', and followed the emotions, passions, thoughts, in which man recognizes himself, and that I express. I think my production is immediately appealing to the explosion of color or gradient for the opalescence of the same, the harmony of proportion to the depth, the prospect - that opens up space and increases the expectation of visibility - for the chiaroscuro dissected geometrically. The mine works are quite exciting for the intrinsic communication. Consider the time, my works confirm the presence of so much love for life and nature, and urgency to protect their loved ones in the nest built with care, in a safe place. Also communicate the commitment to enhance their skills, overcoming shyness and insecurity, according to a growing human. Nature is regarded with respect and, when it is transformed by man, is never violated or dominated: each is in place and no one oppresses another accomplice in a balance. I would insist, then, even knowing that my painting is marked in time for alternate prevailing colors: this, which means, and 'the emotional charge attributable to that artistic moment, and while' reading of the canvas.
LorenzoVicino
'' It's easy to say brushstroke''
The brush (in the strict sense) is a too restrictive.
To satisfy my hand (but also my arms, since the movement of them is nearly so large as to plow the canvas) in the creation of my 'Signs',
I build my own tools from Special.
Of the gestures I make 'the ultimate meaning of my painting
Lorenzo Vicino
I consider myself a multifaceted artist and I never hesitated to call myself a painter. Absorb the passion for the informal and now, thanks to this 'attendance', you do the show to be retrospective, but insists above all on the last production. It and 'the result of careful observations and reflections, and wants to stigmatize my point of arrival, telling my passionate journey of discovery and growth. I started painting very young, motivated by a personal natural impulse, which suggests to me the color and the sign. For my innate gift and I feel privileged to not following regular courses of painting technique or school of art, I can define a self-taught. I definitely watched the masters but - and here is to point out my original feature - "I have made hand" imitating or copying. I immediately showed my character, identifying with certainty my subjects and my signs. Due to these peculiarities, my work has always been immediately identifiable, despite the continuous revisions and changes of signs and colors. I prefer the informal gestural (action painting) and the Informal material, even if not disdain to venture into the informal Spatialism and sign painting. This alternation, although minimal, is not a sign of uncertainty, but there is more than willing to tell paths of mind and soul without a filter. Feelings and thoughts may be necessary, however powerful, in my performances. The paintings thus emerge, with the predominant color from time to time in the abstract, 'towering figures', and followed the emotions, passions, thoughts, in which man recognizes himself, and that I express. I think my production is immediately appealing to the explosion of color or gradient for the opalescence of the same, the harmony of proportion to the depth, the prospect - that opens up space and increases the expectation of visibility - for the chiaroscuro dissected geometrically. The mine works are quite exciting for the intrinsic communication. Consider the time, my works confirm the presence of so much love for life and nature, and urgency to protect their loved ones in the nest built with care, in a safe place. Also communicate the commitment to enhance their skills, overcoming shyness and insecurity, according to a growing human. Nature is regarded with respect and, when it is transformed by man, is never violated or dominated: each is in place and no one oppresses another accomplice in a balance. I would insist, then, even knowing that my painting is marked in time for alternate prevailing colors: this, which means, and 'the emotional charge attributable to that artistic moment, and while' reading of the canvas.
LorenzoVicino
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