News, Italy, Firenze, 22 January 2011
EX3 the art Centre for Contemporary Florence WE LOVE LEBOWSKI
a project Ciboideale 22-30 January 2011
Opening Saturday, January 22, 2011, 21:00
We Love Lebowski is a documentary film about the world of football, which is described through the point of view of curve Moana Pozzi.
Unique in world football scene, lesperienza fan of Lebowski is a rare example of social consciousness and emotional virtue. The URL, the last remaining Lebowski, are hardcore fans, which does not affect the outcome of their team but the commitment of the players and the friendship of the curve.
Spectacularized disgusted by football and everything that surrounds it, the fans of Lebowski decide to leave the curves of the stadiums in Serie A team Fiorentina to support a third-class, fully self-financed, free of recognized talent, but a strong personality and the big heart.
By virtue of its choice, outside of any speculative logic, the curve Moana Pozzi, wins the sympathy of several national and international supporters, attracted the attention of the public and the press, without ever losing sight of its values.
The result of a long process of identification and taking note of the phenomenon described Ciboideale's documentary focuses on the movements of the curve, but never dwell on the actions in the field or on the players.
The choreography, the choirs, the movements of supporters, in contrast to the desolation of the soccer fields in the suburbs or the countryside, revealing an unexpected aesthetic potential. Potential in the draft Ciboideale, finds expression in a video, presented in parallel with the screening of the documentary in the video room of the Centre EX3.
From the story by Pippo Russo, a sociologist and writer:
"The case of the Ultras Lebowski is a rare event probably unique in the world of football fans not only Italian. It 's the case of a group of kids from a certain point in their lives, having gained other membership clubs decide to bind to a team, choose it and choose the team in last place in the last Federal League, this choice is not for territory or belonging to family heritage or cultural ties, this choice is because according to these guys the team Lebowski embodies the values of an old football no longer exists, especially the values of a football as opposed to football Summit of modern football, a modern game where these guys or have been expelled, or in most cases no longer recognize. During the nineties, in more economically developed European countries, football faces a genetic mutation: it becomes pure spectacle, a kind of entertainment that stops responding to the logical to assume those sports show-business. In its expressions of the summit, it moves with the intent to colonize any space and time, both in the calendars you on mass media, thus engulfing the reality of football less. For the latter, it presents a dilemma: go away or resist. Many disappear. Some, however, endures. Like the URL: the last remaining Lebowski. "
In addition to documentaries and video, until January 30, 2010, in the foyer of the Centre, will present a series of photographic portraits, anchessi integral part of the We Love Lebowski.
Born in 2002, are Ciboideale Gian Luca Rossetti and Andrew Damora. Their work is developed through a variety of expressive techniques, including performance and video.
a project Ciboideale 22-30 January 2011
Opening Saturday, January 22, 2011, 21:00
We Love Lebowski is a documentary film about the world of football, which is described through the point of view of curve Moana Pozzi.
Unique in world football scene, lesperienza fan of Lebowski is a rare example of social consciousness and emotional virtue. The URL, the last remaining Lebowski, are hardcore fans, which does not affect the outcome of their team but the commitment of the players and the friendship of the curve.
Spectacularized disgusted by football and everything that surrounds it, the fans of Lebowski decide to leave the curves of the stadiums in Serie A team Fiorentina to support a third-class, fully self-financed, free of recognized talent, but a strong personality and the big heart.
By virtue of its choice, outside of any speculative logic, the curve Moana Pozzi, wins the sympathy of several national and international supporters, attracted the attention of the public and the press, without ever losing sight of its values.
The result of a long process of identification and taking note of the phenomenon described Ciboideale's documentary focuses on the movements of the curve, but never dwell on the actions in the field or on the players.
The choreography, the choirs, the movements of supporters, in contrast to the desolation of the soccer fields in the suburbs or the countryside, revealing an unexpected aesthetic potential. Potential in the draft Ciboideale, finds expression in a video, presented in parallel with the screening of the documentary in the video room of the Centre EX3.
From the story by Pippo Russo, a sociologist and writer:
"The case of the Ultras Lebowski is a rare event probably unique in the world of football fans not only Italian. It 's the case of a group of kids from a certain point in their lives, having gained other membership clubs decide to bind to a team, choose it and choose the team in last place in the last Federal League, this choice is not for territory or belonging to family heritage or cultural ties, this choice is because according to these guys the team Lebowski embodies the values of an old football no longer exists, especially the values of a football as opposed to football Summit of modern football, a modern game where these guys or have been expelled, or in most cases no longer recognize. During the nineties, in more economically developed European countries, football faces a genetic mutation: it becomes pure spectacle, a kind of entertainment that stops responding to the logical to assume those sports show-business. In its expressions of the summit, it moves with the intent to colonize any space and time, both in the calendars you on mass media, thus engulfing the reality of football less. For the latter, it presents a dilemma: go away or resist. Many disappear. Some, however, endures. Like the URL: the last remaining Lebowski. "
In addition to documentaries and video, until January 30, 2010, in the foyer of the Centre, will present a series of photographic portraits, anchessi integral part of the We Love Lebowski.
Born in 2002, are Ciboideale Gian Luca Rossetti and Andrew Damora. Their work is developed through a variety of expressive techniques, including performance and video.
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