Critical texts, Italy, Rimini, 25 January 2012
Paolo De Luca sketches, pollen and transfer to a harmony of moods never explicit, mysterious. Paintings large and synchronic reveal about the history of modern art, creating a line of story-telling images spiral analytical thinking in order to turn to the sublimation of the playful, joyous and playful, to bend a curved walk radiant aesthetic.
Those colors are used by the painter in oil strictly dilated and nemesis in the study of memory, are works that give a sense repeated rhythmic dance.
Paolo De Luca was born in Forli, 1943, but naturalized Rimini, he said: "I feel I have in me two persons, one poetry and one pictorial." Two mirror-faceted souls who are refracted both in a single focus: creativity, synonymous with desire to grow and operate through an active search that continues unabated claiming success in the public and critics. The oil paintings on display in the Sala degli Archi, located in the heart of Rimini, express a dizzying rush surreal, transposition of matter in the metaphysical world. The elegantly muted colors and suffused provide cohesion to the movement, winning a motor pyrotechnics, elliptic and formally extended to the scenic lake creations reminiscent of oriental gardens or Paris, printed in still water from the marsh lights timbre that recalls the poetry within. The poetry expresses a versatile analysis of the word, similar to the direction set in a fatality raised in exhortation caressing literary naturalist. Paolo De Luca love design, architecture and the virtual world, but the suppleness of the word that calls to express a sense of perspective, a perspective evoked by fossil plants, from plowed fields, from light jealous of light absorbed in contempt Spring and voluptuous singing.
Milena Massani
Those colors are used by the painter in oil strictly dilated and nemesis in the study of memory, are works that give a sense repeated rhythmic dance.
Paolo De Luca was born in Forli, 1943, but naturalized Rimini, he said: "I feel I have in me two persons, one poetry and one pictorial." Two mirror-faceted souls who are refracted both in a single focus: creativity, synonymous with desire to grow and operate through an active search that continues unabated claiming success in the public and critics. The oil paintings on display in the Sala degli Archi, located in the heart of Rimini, express a dizzying rush surreal, transposition of matter in the metaphysical world. The elegantly muted colors and suffused provide cohesion to the movement, winning a motor pyrotechnics, elliptic and formally extended to the scenic lake creations reminiscent of oriental gardens or Paris, printed in still water from the marsh lights timbre that recalls the poetry within. The poetry expresses a versatile analysis of the word, similar to the direction set in a fatality raised in exhortation caressing literary naturalist. Paolo De Luca love design, architecture and the virtual world, but the suppleness of the word that calls to express a sense of perspective, a perspective evoked by fossil plants, from plowed fields, from light jealous of light absorbed in contempt Spring and voluptuous singing.
Milena Massani
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