Exhibitions, Italy, Roma, 16 April 2011
The egg is the origin, metamorphosis and regeneration. The egg reveals and conceals, contains a life that must occur to break barriers, exit out of the shell. The symbol of his power through ages and continents in a continuous dialogue between secular and sacred dimension. Its archetypal form dominates myths, rituals, legends, inspires dreams of pregnant mysteries, generating visions of possible worlds.
Worlds that hatch, grow, explode, they multiply through the works of a group of artists committed to interpreting the contradictions of a country shaken by the identity, where past and present struggle to create the future, where young chicks and ambiguous Pulcinella read scripts faded in the spotlight, instead of revealing hidden.
Yet visions unexpected surprise the eye. Break the shell and nurture new ways of standing, stripped of their contradictions and mask secular symbols, to go further.
These are forms of rebirth, played by feel, multiplied gestures, signs, colors that draw the real country and plan to come, metaphorically enclosed in an egg as a surprise feared and desired.
Alfredo Avagliano released the "smoke" the existence in dense streams of color, Rosella Finger paints and sculpts the vortex of the soul; Bartolozzi Ross plays with symbols of metamorphosis and fiction; Elena Candoli celebrates the poetry of nature; Stefano Cappelletti is immersed in literary landscapes; Cristina Castellani Grid Iron her "no" to violence against animals; Antonella Bowls decided to leave fingerprints on the possibilities of creation through the blue universe Antonio Ceccarelli, Marcello Corigliano urges us not to occupy positions apparently comfortable; Dominic D ' Augustine makes a request that does not wait for (or yes?) responses, Paola de Santis hovering in a mystic flight between heaven and earth; Daniela Foschi "hangs" on a thread the fate of Italy; Catia Ghinelli collective destinies opens a perspective uncertain but not without hope; Edward Iosimi confronts eternity through vibrant colors and sinuous coils; Luciano Lombardi plays a delicious revival without resurrection, Cinzia Mastropaolo projects the hot core of the history and life in a timeless sky, Juan Jose Molina Gallardo chooses still life by suspending all judgments, Gianfranco Montini sees modernity through distorting lenses; Barbara Morini portrays the ambiguity of the human being; Massimiliano Mutarelli scatters of signs and symbols, meaning more and more meaningless, John Novi fixed essentials the character of a city; Francesca Pompei says metamorphosis in geometrical spaces, Pino Pontoriero created a greeting to a brooding apocalyptic sun; Eugenio Rats sends a message of love with the lightness of the beating of wings; Patrick Ricchiuti dark signal "interrupts voluntarily circuit of transmission ", Stefania Scala gives sharp fades; Togachi focuses on current meeting the gaze of a powerful vacuum.
Many cultural models proposed, revised, undermined. And hit many targets identified now with delicacy with violence. A kaleidoscopic surprise, the play of light and refraction that the twenty-seven artists dealing with a variety of techniques, languages R03;R03;and tone: they whisper, they suggest, screaming, laughing wild, singing humorous, dark and solar, in a dimension of isolation, but almost never choral paradoxically open to the exchange and sharing.
Sara Graziano and Carla Bonetti
Worlds that hatch, grow, explode, they multiply through the works of a group of artists committed to interpreting the contradictions of a country shaken by the identity, where past and present struggle to create the future, where young chicks and ambiguous Pulcinella read sc
Yet visions unexpected surprise the eye. Break the shell and nurture new ways of standing, stripped of their contradictions and mask secular symbols, to go further.
These are forms of rebirth, played by feel, multiplied gestures, signs, colors that draw the real country and plan to come, metaphorically enclosed in an egg as a surprise feared and desired.
Alfredo Avagliano released the "smoke" the existence in dense streams of color, Rosella Finger paints and sculpts the vortex of the soul; Bartolozzi Ross plays with symbols of metamorphosis and fiction; Elena Candoli celebrates the poetry of nature; Stefano Cappelletti is immersed in literary landscapes; Cristina Castellani Grid Iron her "no" to violence against animals; Antonella Bowls decided to leave fingerprints on the possibilities of creation through the blue universe Antonio Ceccarelli, Marcello Corigliano urges us not to occupy positions apparently comfortable; Dominic D ' Augustine makes a request that does not wait for (or yes?) responses, Paola de Santis hovering in a mystic flight between heaven and earth; Daniela Foschi "hangs" on a thread the fate of Italy; Catia Ghinelli collective destinies opens a perspective uncertain but not without hope; Edward Iosimi confronts eternity through vibrant colors and sinuous coils; Luciano Lombardi plays a delicious revival without resurrection, Cinzia Mastropaolo projects the hot core of the history and life in a timeless sky, Juan Jose Molina Gallardo chooses still life by suspending all judgments, Gianfranco Montini sees modernity through distorting lenses; Barbara Morini portrays the ambiguity of the human being; Massimiliano Mutarelli scatters of signs and symbols, meaning more and more meaningless, John Novi fixed essentials the character of a city; Francesca Pompei says metamorphosis in geometrical spaces, Pino Pontoriero created a greeting to a brooding apocalyptic sun; Eugenio Rats sends a message of love with the lightness of the beating of wings; Patrick Ricchiuti dark signal "interrupts voluntarily circuit of transmission ", Stefania Scala gives sharp fades; Togachi focuses on current meeting the gaze of a powerful vacuum.
Many cultural models proposed, revised, undermined. And hit many targets identified now with delicacy with violence. A kaleidoscopic surprise, the play of light and refraction that the twenty-seven artists dealing with a variety of techniques, languages R03;R03;and tone: they whisper, they suggest, screaming, laughing wild, singing humorous, dark and solar, in a dimension of isolation, but almost never choral paradoxically open to the exchange and sharing.
Sara Graziano and Carla Bonetti
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