.. I lived among the huge rocks similar to bonsai huge mountains in the ever-changing ...
votive sculptures, sacred monuments, threatening and reassuring ... protective and violent clashes apocalyptic, barely divided from the proudest,
howling mistral.
Orchestra screaming and majestic, solemn and impetuous, and when the chorus of a thousand voices rose high that the broken reed, launedda * who was already playing well before man was born, the soundtrack was lyrical and poignant!
A great and extraordinary theater offered ancient, eternal tragedy, to me, a small viewer that "stare" of negative that I "printed" only many years later.
Images of a show ever again in the changing of the seasons, days, hours, moments ...
frightened and fascinated, already read "RAQAMA," the story of an eternal past, present and a future that is reality.
Francesco Aramu, from the book "RAQAMA, drawings of the time on the granite"
edited by Carlo Delfino publisher, Sassari, 2000
* The launeddas'm a woodwind musical instrument policalamo reed leaf, a native of Sardinia. It is a tool of ancient origin (prehistory) capable of producing polyphony, is performed with the technique of circular breathing and is built using different types of reeds
(Wikipedia)
Exellent Magister of Launeddas, a friend of Francis Aramu, Luigi Lai, regarded as the best player of the uneddas still in activity.
News on M ° Luigi Lai on the site www.launeddas.eu
___www.gigarte.com/francescoaramu____________
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