Exhibitions, Italy, Verona, 03 December 2011
The-Ithaca Tavella Archive Gallery is pleased to present the review: ILMETAFORMISMO, December 3, 2011 from 8 January 2012
with works by masters present a special dossier on the Catalog of Modern Art from postwar to the No 47 Editoriale
Giorgio Mondadori.
Twenty-six expose teachers, all professionals, many of which are already operating in the 60s and 70s, thus directly involved
dust in the culture of those years and motivated now to support a new critical comparison. These are the names of
masters on display: Dino Aresco, Gennaro boat, Emilio Belotti, Natalia Berselli, Martin Brivio, Titian, Limestone and Marc
Chiassai, Adriana Collovati, Daniel Bruno, Angelo De Boni, Devastated Enzo, Enzo Fabbiano, Emanuela Franchin,
France Camillo Massimo Fumanti, Daniela Grifoni, Luvit, Xavier Great, Pier Domenico Magri, Aldo Meineri, Carla
Striped, Liana Rover, Mario Salvo, Anthony Saporito, Laura Tibaldi Sartori, Marco Tulips.
With the end of metamorphosis do not want or understand an art group or a movement, or a current, but
linguistic unit a principle common to all the artistic expressions of the twentieth century that Julia Sillano, art historian
school Longhi, identified following a systematic analysis of the world of contemporary Italian and foreign
and experience of about 50 exhibitions, she herself made by high-profile sites, museums and historical monuments in
From 1994 to today: the metamorphosis.
Implicit in ancient art, it is transmitted to the language of modern art, giving rise to those phenomena so far
indicated by words such as abstract, informal, expressionist, minimalist or minimalist and others, who do not meet
longer confined to its own expression in a reference, this evolved to the point of inducing the author to a reformulation
including all possible facets of the art of the past fifty years, always convinced that the
Form "reversed from the end of the nineteenth century" was, in fact, implied in a persistent manner to any operation
art "of the twentieth century and twenty-first century.
They enter the great game of metamorphosis all those expressions of art, with this meaning Painting and Sculpture,
that, today, are able to integrate evolutionary dialogue with the historical avant-garde, adjusting appropriately to
conceptual and technical measures of our times. The intention, therefore, far from establishing yet another group, for
of these the history of art is even overcrowded, is to offer a new critical orientation to better characterize
the multiform of today's means of expression, except for video and for reasons inherent virtuality, of course, their
same nature.
The choice of artists on display are uniforms, therefore, and neither can it be otherwise, the concept of "metamorphosis", aimed
artistic expression to those totally devoid of elaborate figural although, where there are traces of it, is, in fact,
sporadic fragments radically revised: in fact a random incidence can occur figurative, but this is manifested by
completely denatured by the original integrity and character far removed from ordinary interpretive figure, always remaining
the presence of very strong pictorial component, often contaminated with other materials, however, inclined to systems
working "overtime" with this meaning the word in its literal meaning: "out of the ordinary." The author, discovering
the existence of "metamorphosis", implicitly admitted the documentary value of the absolute one painting to install, in fact,
of objects in space, fashion customary over many decades in museums around the world, outside of any type of analysis
"Formistico", as it uses the shape of things, organizing them into a kind of visionary architecture, bypassing
the important trans-mutative experience, that only the molding of art can justify in the name of true creation.
idea by Julia Sillano
December 3, 2011 FROM TO 8 January 2012
OPENING: Saturday, December 3rd, 16 PM www.ilmetaformismo.it SPECIAL DOSSIER: THE Metaform
ITHACA-TAVELLA ARCHIVE GALLERY OF MODERN ART CATALOGUE No. 47
LANE SAN LORENZO 4, VERONA EDITORIAL Giorgio Mondadori
EXHIBITION CATALOGUES - info: 3483533733
FREE ADMISSION - HOURS:
From Tuesday to Sunday 10/13 - 14/19
PRESS OFFICE: Arianna Marchesan, tel 347 0124255
with works by masters present a special dossier on the Catalog of Modern Art from postwar to the No 47 Editoriale
Giorgio Mondadori.
Twenty-six expose teachers, all professionals, many of which are already operating in the 60s and 70s, thus directly involved
dust in the culture of those years and motivated now to support a new critical comparison. These are the names of
masters on display: Dino Aresco, Gennaro boat, Emilio Belotti, Natalia Berselli, Martin Brivio, Titian, Limestone and Marc
Chiassai, Adriana Collovati, Daniel Bruno, Angelo De Boni, Devastated Enzo, Enzo Fabbiano, Emanuela Franchin,
France Camillo Massimo Fumanti, Daniela Grifoni, Luvit, Xavier Great, Pier Domenico Magri, Aldo Meineri, Carla
Striped, Liana Rover, Mario Salvo, Anthony Saporito, Laura Tibaldi Sartori, Marco Tulips.
With the end of metamorphosis do not want or understand an art group or a movement, or a current, but
linguistic unit a principle common to all the artistic expressions of the twentieth century that Julia Sillano, art historian
school Longhi, identified following a systematic analysis of the world of contemporary Italian and foreign
and experience of about 50 exhibitions, she herself made by high-profile sites, museums and historical monuments in
From 1994 to today: the metamorphosis.
Implicit in ancient art, it is transmitted to the language of modern art, giving rise to those phenomena so far
indicated by words such as abstract, informal, expressionist, minimalist or minimalist and others, who do not meet
longer confined to its own expression in a reference, this evolved to the point of inducing the author to a reformulation
including all possible facets of the art of the past fifty years, always convinced that the
Form "reversed from the end of the nineteenth century" was, in fact, implied in a persistent manner to any operation
art "of the twentieth century and twenty-first century.
They enter the great game of metamorphosis all those expressions of art, with this meaning Painting and Sculpture,
that, today, are able to integrate evolutionary dialogue with the historical avant-garde, adjusting appropriately to
conceptual and technical measures of our times. The intention, therefore, far from establishing yet another group, for
of these the history of art is even overcrowded, is to offer a new critical orientation to better characterize
the multiform of today's means of expression, except for video and for reasons inherent virtuality, of course, their
same nature.
The choice of artists on display are uniforms, therefore, and neither can it be otherwise, the concept of "metamorphosis", aimed
artistic expression to those totally devoid of elaborate figural although, where there are traces of it, is, in fact,
sporadic fragments radically revised: in fact a random incidence can occur figurative, but this is manifested by
completely denatured by the original integrity and character far removed from ordinary interpretive figure, always remaining
the presence of very strong pictorial component, often contaminated with other materials, however, inclined to systems
working "overtime" with this meaning the word in its literal meaning: "out of the ordinary." The author, discovering
the existence of "metamorphosis", implicitly admitted the documentary value of the absolute one painting to install, in fact,
of objects in space, fashion customary over many decades in museums around the world, outside of any type of analysis
"Formistico", as it uses the shape of things, organizing them into a kind of visionary architecture, bypassing
the important trans-mutative experience, that only the molding of art can justify in the name of true creation.
idea by Julia Sillano
December 3, 2011 FROM TO 8 January 2012
OPENING: Saturday, December 3rd, 16 PM www.ilmetaformismo.it SPECIAL DOSSIER: THE Metaform
ITHACA-TAVELLA ARCHIVE GALLERY OF MODERN ART CATALOGUE No. 47
LANE SAN LORENZO 4, VERONA EDITORIAL Giorgio Mondadori
EXHIBITION CATALOGUES - info: 3483533733
FREE ADMISSION - HOURS:
From Tuesday to Sunday 10/13 - 14/19
PRESS OFFICE: Arianna Marchesan, tel 347 0124255
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