Exhibitions, Italy, Bologna, 06 September 2014
The Gallery of Contemporary Art Wikiarte
in Via San Felice 18 - Bologna
Is pleased to invite you
Saturday, September 6, 2014
18.00
All 'exhibition opening
MARIA Kononov
MARCO RANDAZZO
LUCIA FIASCHI
FEOFEO
presented by the critic of Art
Alberto Gross
Maria Kononov was born in 1997 in New Jersey, USA, where he begins to draw to the game when he was only three years old, spontaneously took pencil and paper and began to make cutouts of dogs and horses to play with. The unusual talent did not go unnoticed and even then his fellow kindergarten lined up asking Mary to draw their favorite animal. Early start to experiment with different techniques, its spectrum of colors continued to grow, rising from ink pens, pastels, watercolors by color to natural paints, also exploring the various textures of paper, tissues and at the end of the canvas. At this point, Maria finds herself catapulted into solo exhibitions around the world, from Brussels to London to Moscow.
For Marco Randazzo painting is an all-encompassing commitment which pervades all his young life and it involves constantly putting it completely in crisis, a crisis which, fortunately for us, it flows in design research aimed at conveying his message through the sign and color. A sign and a color in eternal conflict and that in this exchange will empower each other.
That of Marco Randazzo is an abstract art which in its essence is best suited to convey the discomfort of living in a time when the young artist feels he can not fulfill their potential and to be in the impossibility to be understood: "I all in my head but I can not say it "is his refrain.
The transfer from the warm, sunny and almost sleepy Sicily, in the cold, foggy and busy Milan, in the artist intensifies the feeling of solitude originated from the difficulty of creating links. He loves Milan so much so that dedicates to the metro stations that attended, several paintings, but these works have as a leitmotif throughout a series of twists and ropes that are stretched and are a symbol of lack of communication.
The works created during the period of his critical research on the computing world that dominates the art for several decades, have written computerized deliberately incorrect numbers and letters that run "system errors defines them, and represent their lack of communication. A lack of communication that he also denounced by the explosion of colors representing the chaos of life.
The work of Lucia Fiaschi seems to be composed of progressive visual experiences translated into shapes and colors fluids, continued, imbued with emotion effusive in which anxiety, melancholy, mysterious, compassion and love are described through the special naiveté of its iconic heritage and style of 'fairy art popolare.L'evocatività image becomes - from time to time - reason to reconsider: private aspect of their invisible and illogical, form and spirit does not exist, the truth is incomplete verità.Liricità symbolism and thus become capable vehicles not understanding the externality of things, but the inner spirituality, blending and mixing the individual feeling with the cosmic dimension and universal nature. The painting of Lucia Fiaschi, layered, sometimes fragmented and covered by external elements that break up the time by suspending the narrative conceals a subterranean research aimed at guessing and explore further dimensions of thought practiced vita.Il becomes simultaneous viewing, fount and development than lives of its natural essence, crumbling every type of superstructure or falsification of immagine.L'intero artistic process of Feofeo generates a complex web of color exposed in extreme synthesis, without restrictions, without any mediation: the estrangement is produced in the form of hypothesis, erosion spatio-temporal rupture and continuation of a consequential logic, the subversion of every physical and spiritual order.
The asymmetric uncertainty produced by the use of color becomes a special theme lexical, syncopated phrase can be read between the lines of which the central character of an intimate, personal as much as collective and universal. The authentically subjective occurs then as nothing more than another form of objective: expands the possibilities of representation expressing universal phenomena that can only happen in the circle of a given personality. For this the artist's work can be as alchemy, both visual and semantic alchemy is all turns, leads, disguises, introduces and sidetracks, changes of substance and splits, from a background of magma to a glossy, dark and clear together. Through the decomposition and reconstruction of the primary elements of color, Feofeo tends to deal with a kind of art liquid, biomorphic, able to evolve and change - every single look - the whole perception of the image. The form is dynamic idea, transforming metaphysical hypothesis, be able to join hands with the thought and carry it over, forward, by the virtuosity of the frozen temporality property.
Sponsored and advertised by:
www.cemusa.com
www.virtualstudios.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
Duration shows and events related
Date displays 6 to 18 September 2014
schedule visits exhibition at the Gallery:
Saturday, September 6th from 18:00 to 20:00
Tuesday 9 until September 18 from 11.00 to 19.00 with a lunch break
Monday and Sunday closed
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
in Via San Felice 18 - Bologna
Is pleased to invite you
Saturday, September 6, 2014
18.00
All 'exhibition opening
MARIA Kononov
MARCO RANDAZZO
LUCIA FIASCHI
FEOFEO
presented by the critic of Art
Alberto Gross
Maria Kononov was born in 1997 in New Jersey, USA, where he begins to draw to the game when he was only three years old, spontaneously took pencil and paper and began to make cutouts of dogs and horses to play with. The unusual talent did not go unnoticed and even then his fellow kindergarten lined up asking Mary to draw their favorite animal. Early start to experiment with different techniques, its spectrum of colors continued to grow, rising from ink pens, pastels, watercolors by color to natural paints, also exploring the various textures of paper, tissues and at the end of the canvas. At this point, Maria finds herself catapulted into solo exhibitions around the world, from Brussels to London to Moscow.
For Marco Randazzo painting is an all-encompassing commitment which pervades all his young life and it involves constantly putting it completely in crisis, a crisis which, fortunately for us, it flows in design research aimed at conveying his message through the sign and color. A sign and a color in eternal conflict and that in this exchange will empower each other.
That of Marco Randazzo is an abstract art which in its essence is best suited to convey the discomfort of living in a time when the young artist feels he can not fulfill their potential and to be in the impossibility to be understood: "I all in my head but I can not say it "is his refrain.
The transfer from the warm, sunny and almost sleepy Sicily, in the cold, foggy and busy Milan, in the artist intensifies the feeling of solitude originated from the difficulty of creating links. He loves Milan so much so that dedicates to the metro stations that attended, several paintings, but these works have as a leitmotif throughout a series of twists and ropes that are stretched and are a symbol of lack of communication.
The works created during the period of his critical research on the computing world that dominates the art for several decades, have written computerized deliberately incorrect numbers and letters that run "system errors defines them, and represent their lack of communication. A lack of communication that he also denounced by the explosion of colors representing the chaos of life.
The work of Lucia Fiaschi seems to be composed of progressive visual experiences translated into shapes and colors fluids, continued, imbued with emotion effusive in which anxiety, melancholy, mysterious, compassion and love are described through the special naiveté of its iconic heritage and style of 'fairy art popolare.L'evocatività image becomes - from time to time - reason to reconsider: private aspect of their invisible and illogical, form and spirit does not exist, the truth is incomplete verità.Liricità symbolism and thus become capable vehicles not understanding the externality of things, but the inner spirituality, blending and mixing the individual feeling with the cosmic dimension and universal nature. The painting of Lucia Fiaschi, layered, sometimes fragmented and covered by external elements that break up the time by suspending the narrative conceals a subterranean research aimed at guessing and explore further dimensions of thought practiced vita.Il becomes simultaneous viewing, fount and development than lives of its natural essence, crumbling every type of superstructure or falsification of immagine.L'intero artistic process of Feofeo generates a complex web of color exposed in extreme synthesis, without restrictions, without any mediation: the estrangement is produced in the form of hypothesis, erosion spatio-temporal rupture and continuation of a consequential logic, the subversion of every physical and spiritual order.
The asymmetric uncertainty produced by the use of color becomes a special theme lexical, syncopated phrase can be read between the lines of which the central character of an intimate, personal as much as collective and universal. The authentically subjective occurs then as nothing more than another form of objective: expands the possibilities of representation expressing universal phenomena that can only happen in the circle of a given personality. For this the artist's work can be as alchemy, both visual and semantic alchemy is all turns, leads, disguises, introduces and sidetracks, changes of substance and splits, from a background of magma to a glossy, dark and clear together. Through the decomposition and reconstruction of the primary elements of color, Feofeo tends to deal with a kind of art liquid, biomorphic, able to evolve and change - every single look - the whole perception of the image. The form is dynamic idea, transforming metaphysical hypothesis, be able to join hands with the thought and carry it over, forward, by the virtuosity of the frozen temporality property.
Sponsored and advertised by:
www.cemusa.com
www.virtualstudios.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
Duration shows and events related
Date displays 6 to 18 September 2014
schedule visits exhibition at the Gallery:
Saturday, September 6th from 18:00 to 20:00
Tuesday 9 until September 18 from 11.00 to 19.00 with a lunch break
Monday and Sunday closed
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
Comments 0
Say something