Exhibitions, Italy, Bologna, 29 October 2016
The Gallery of Contemporary Art Wikiarte
in Via San Felice 18 - Bologna
It is pleased to invite you
Saturday, October 29, 2016
18.00
All 'inauguration of the solo exhibitions of:
DUCCIO DI MONTE
FRANCESCA GUARISO
MARINA BERRA
DUCCIO DI MONTE
The exuberance and creative diversity builds a visual imaginary complex and layered, a continued making and assembling itself that acts as an optical megaphone, a crescendo of evolutions of the reach subversive than ever figurative and incisive.
The artistic compose Duccio Di Monte seems to constitute itself as an inexhaustible question on the status of the image, the veracity of the presence between reality and perception: by acting on the work with almost programmatic assembly and pumping, manipulating and interpreting visual text, it reformulates constantly assumptions, principles and interpretations, returning to the framework the absolute arbitrariness of parameters that do not escape to its own internal logic.
The work takes the form of a spatial fragment to a stable time and on the move, a memory fragment in which accumulation, ripping, disintegration and fragmentation of forms are functional to the story of himself, of his origin and of his own becoming .
The paintings, the decollages, assemblies, installations Di Monte are the gears of a complex machine and dynamic elements that characterize a boundless visual fresco, a succession of events consequential and - at the same time - immanent, dismembered, torn, torn and collected, he returned to infinity.
FRANCESCA GUARISO
soft and sinuous lines follow the curves and contours of the figures cut in dell'inciampo lightness, the tumble, the infinite elegance of baccellerìa performed.
The iconographic universe of Francesca Guariso leads to an imaginary ancestral feminine, archetypal, but not contingent connotations inherent in the idea and the very essence of the woman, so the details disappear and the sacredness of mother goddess of fertility and fertile opima, is returned through a few traits that aspire to grace, to the sophistication of a surprised modesty, the levity in which the weight is a reminder of the form, pure mental image.
In its pinwheels circus figures perform arabesques in agreement with the fluffy sweetness of the breath that carries them, playing with skits amused melancholy gaiety of sweet happiness and calm anxiety.
MARINA BERRA
Painting is substantial, intense, sometimes impenetrable in his thick transparent, extended the unspeakable matter of a hot or cold fusion property and restless flicker of an inextricable vision.
So between the borders of Marina Berra framework maintains a relationship with the infinitely large, a hypothesis of vastness firmly rooted in the folds of a constantly evolving and inexhaustibly magma, upheaval and revolution.
Both ferruginous and terragni tones, in burned red and cinnabar, both in the images is a mirror in which pale blue to decline their chromatic and dynamic variables, founding is the search for a third pictorial dimension, a physical and visual movement in which recognize the 'heterogeneity of the figurable, the phantasmic consistency in the laws of cosmology that is proper.
critical texts by Alberto Gross
critical presentation by:
Alberto Gross
Curator of the exhibition:
Deborah Petroni
Sponsored and promoted by:
www.ilpensieroartistico.eu
www.paolobalsamo.it
Show Length:
from October 29 - November 10, 2016
Tuesday to Saturday from 11.00 to 19.00 with a lunch break
Monday and Sunday closed
Free entry
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
in Via San Felice 18 - Bologna
It is pleased to invite you
Saturday, October 29, 2016
18.00
All 'inauguration of the solo exhibitions of:
DUCCIO DI MONTE
FRANCESCA GUARISO
MARINA BERRA
DUCCIO DI MONTE
The exuberance and creative diversity builds a visual imaginary complex and layered, a continued making and assembling itself that acts as an optical megaphone, a crescendo of evolutions of the reach subversive than ever figurative and incisive.
The artistic compose Duccio Di Monte seems to constitute itself as an inexhaustible question on the status of the image, the veracity of the presence between reality and perception: by acting on the work with almost programmatic assembly and pumping, manipulating and interpreting visual text, it reformulates constantly assumptions, principles and interpretations, returning to the framework the absolute arbitrariness of parameters that do not escape to its own internal logic.
The work takes the form of a spatial fragment to a stable time and on the move, a memory fragment in which accumulation, ripping, disintegration and fragmentation of forms are functional to the story of himself, of his origin and of his own becoming .
The paintings, the decollages, assemblies, installations Di Monte are the gears of a complex machine and dynamic elements that characterize a boundless visual fresco, a succession of events consequential and - at the same time - immanent, dismembered, torn, torn and collected, he returned to infinity.
FRANCESCA GUARISO
soft and sinuous lines follow the curves and contours of the figures cut in dell'inciampo lightness, the tumble, the infinite elegance of baccellerìa performed.
The iconographic universe of Francesca Guariso leads to an imaginary ancestral feminine, archetypal, but not contingent connotations inherent in the idea and the very essence of the woman, so the details disappear and the sacredness of mother goddess of fertility and fertile opima, is returned through a few traits that aspire to grace, to the sophistication of a surprised modesty, the levity in which the weight is a reminder of the form, pure mental image.
In its pinwheels circus figures perform arabesques in agreement with the fluffy sweetness of the breath that carries them, playing with skits amused melancholy gaiety of sweet happiness and calm anxiety.
MARINA BERRA
Painting is substantial, intense, sometimes impenetrable in his thick transparent, extended the unspeakable matter of a hot or cold fusion property and restless flicker of an inextricable vision.
So between the borders of Marina Berra framework maintains a relationship with the infinitely large, a hypothesis of vastness firmly rooted in the folds of a constantly evolving and inexhaustibly magma, upheaval and revolution.
Both ferruginous and terragni tones, in burned red and cinnabar, both in the images is a mirror in which pale blue to decline their chromatic and dynamic variables, founding is the search for a third pictorial dimension, a physical and visual movement in which recognize the 'heterogeneity of the figurable, the phantasmic consistency in the laws of cosmology that is proper.
critical texts by Alberto Gross
critical presentation by:
Alberto Gross
Curator of the exhibition:
Deborah Petroni
Sponsored and promoted by:
www.ilpensieroartistico.eu
www.paolobalsamo.it
Show Length:
from October 29 - November 10, 2016
Tuesday to Saturday from 11.00 to 19.00 with a lunch break
Monday and Sunday closed
Free entry
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
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