The eyes of those who have modesty down as vertical plumb line and remain anchored to the floor in front of those who fight between the fear of the reflection and the echo persuasive Narcise memories.
-Who am I then?
-Why is the image that portrays me seems so far away from the idea I have of me?
Two question marks, one answer Pirandello: One, no one hundred thousand.
All of a sudden gesture is heroic act impetuously picks up speed disruptive, the weapon sharp breaks the mirror that shatters releasing Splinters and fragments of a lifetime.
Camplone parcellizza, dismembered, facets, decomposes OBJECT / PERSON, thereby disrupting the reality he faced as an urgent need to investigate the many facets of the human universe.
After some years, the artist Pescara retrieves a formal language closer to figurative painting, an operation that allows him to return scores and drafts that describe characters, moods, emotions and memories that suggest purely narrative plots.
Alfonso Camplone live a new creative impulse, a real being careful research, tall, mature, in recent months the production intensifies and the restlessness of those who feel to be close to the solution dell'assordante question is not subsiding.
Notebook in hand, he wears the clothes of a skilled and courageous reporter whose task it is frequent the nightspots of the "city of man" through alleys and ravines sticky, theaters, dance halls, taverns, bars, taverns bukowskianie memories.
So much humanity in the notes of the pianist chasing compulsively accents of jazz, in measured steps of the dancers together in the dance stumble into that funny movement that seemed to be almost a caschè. The drunk who wanders sitting on a bench and said proud of his visions to methanol. Between dreams and lies also the one for which he swears and swears he had stumbled into the mysterious and dangerous young Bluebeard.
In the paper, including notes and annotations in the logbook of Camplone you can read the comments of those who saw the show at the theater of the theatrical, the Bohemian vagabond and idle always escape from the ordinary but faithful to his partner Dreamy, of elegant and nostalgic Dandy man who regularly takes a taxi every night on the fly, but we will never know where to go.
The infinitely large sample delle'umanità with its variations to fit in the current catalog of the types of anthropology.
A lenticular work to Alfonso Camplone the city as a place where human never appears but is felt in all instances by man. The feelings that bind to anguish, discomfort experienced after a Mockery, the pompous gesture of charity through pulling away from a pocket money of alms saying a blatant Note! And yet it's greeting the star where the pendulous motion and smooth hand he draws a diagram of vanity. And finally the smile on his face botulinus Joker becomes the emblem of an image that will never find a foreign residence permit in the heart of the artist.
The canvases return a surface tormented lived, wound healed and eventually healed. Pastes filamentary clotted colors, filigree subcutaneous grafts arteries and diverticula become reactivated and riattualizzano values and universal feelings traced in works such as Doubt, Before the big test, Waiting for the right time, do not listen to bad advice.
Reflections after the vitality of Gesture and Routes And Inner Landscapes Alfonso Camplone with Splinters And Fragments Of A Lifetime repositions the human being at the center of his profound artistic reflection.
Christian Dolente
• Paintings by Alfonso Camplone www.alfonsocamplone.it
• an exhibition venue: Civic School Musical "City of San Giovanni Teatino"
Piazza S. Rocco, 16 - Sambuceto
(San Giovanni Teatino - CHIETI)
• Opening: 10 November 18.00 - Brindisi final offered by the farm "With the World"
• Exhibition period: from November 10 to December 15, 2012
• Opening hours: every day from 14.30 to 20.30 except Sundays
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