![Replay "Behind the Dress is the Sign of the Soul”](https://www.celesteprize.com/indi/_pics/9/5/manifesto_8954_2005.jpg "Replay "Behind the Dress is the Sign of the Soul”")
Exhibitions, Italy, Chieti, 14 July 2017
After the "first" at Space Plus, a dozen of "behind the dress the Sign of the Soul"
Will be "hosted" in the delightful Optical Spinozzi store of friends Rinaldo and Valentina.
Even with this exhibition, the artist Pescara Alfonso Camplone, expresses the will of a traveling exhibition mobility, in different and unusual locations.
Bringing pictures of paintings in an optician shop is never unusual but surely evocative in the sense that "seeing good leaves even more space to observe" to go deep.
The cover images "torn" by magazines from the 1950s and 60s, immersed in vibrant chromaticity, will perhaps be able to carry the audience into a magical and enveloping universe. By seeing it well, you can go beyond the surface until you reach, or at least reflect on, the true essence of things.
The beautiful women exposed, "iconic" beauty, will leave the guest, enjoy a "show" ... but a "skilled observer" will realize that observation is not just about what is visible on the surface, but also Their essence. So it will not stop at the appearance of the images, but will be able to "look beyond". An attentive observer will not be content with an image's observation in its individuality and peculiarity, but will seek to grasp its deeper look.
An attentive observer will not just focus on a "reading" with one head and think beautiful or ugly, but will try to go beyond what he sees and perhaps, through the heart, "to hear" what comes to him. This operation, which apparently may seem subjective and devoid of scientific foundation, is an essential part of going beyond the observation of the simple pictorial aesthetic space represented. The wish of the artist is that it can be another small opportunity to encourage introspection, which leaves room for thought "everything is at our disposal and can really change through our intimate, true, authentic footprint. Only it can determine what can make us happy to be alive, in a world that demands to be lived, for real "- Stefano Nieddu.
Will be "hosted" in the delightful Optical Spinozzi store of friends Rinaldo and Valentina.
Even with this exhibition, the artist Pescara Alfonso Camplone, expresses the will of a traveling exhibition mobility, in different and unusual locations.
Bringing pictures of paintings in an optician shop is never unusual but surely evocative in the sense that "seeing good leaves even more space to observe" to go deep.
The cover images "torn" by magazines from the 1950s and 60s, immersed in vibrant chromaticity, will perhaps be able to carry the audience into a magical and enveloping universe. By seeing it well, you can go beyond the surface until you reach, or at least reflect on, the true essence of things.
The beautiful women exposed, "iconic" beauty, will leave the guest, enjoy a "show" ... but a "skilled observer" will realize that observation is not just about what is visible on the surface, but also Their essence. So it will not stop at the appearance of the images, but will be able to "look beyond". An attentive observer will not be content with an image's observation in its individuality and peculiarity, but will seek to grasp its deeper look.
An attentive observer will not just focus on a "reading" with one head and think beautiful or ugly, but will try to go beyond what he sees and perhaps, through the heart, "to hear" what comes to him. This operation, which apparently may seem subjective and devoid of scientific foundation, is an essential part of going beyond the observation of the simple pictorial aesthetic space represented. The wish of the artist is that it can be another small opportunity to encourage introspection, which leaves room for thought "everything is at our disposal and can really change through our intimate, true, authentic footprint. Only it can determine what can make us happy to be alive, in a world that demands to be lived, for real "- Stefano Nieddu.
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