Title: Between Impressionism and Expressionism
            Vernissage Saturday, April 6 at 17.30
             End of the show April 22
The works of two painters, Silvia Low-Luno
will be on display April 6 to 22 next, the former St. Anthony church in the picturesque Piazza La Rotonda Badoere of Morgano. The interesting exhibition, sponsored by the City Department of Culture and Cultural Association Public Library Art Gallery Museum "NabilaFlluxus", curated by Virginia Milici. Report and texts Valtero Curzi philosopher, critic of art, will open Saturday, April 6 at 17.30. Two very different authors for training and artistic development, however, are united by a kind of inner need to express, through art, color, your inner identity, their own creative personality. Two artists who will guide us through their emotions in a language expressive and coloristic uncommon.
Bottom Silvia was born in the province of Padua in Trebaseleghe, lives in Istrana (TV)
Self-taught painter.'s Passion for painting and resides in her childhood was fortunate to have seen his father since childhood that throughout his life he painted, and it was in fact he who gave her the basics in the art of painting oil to encourage it to try a personal expression.
Explores the technique of oil painting for several years as part of the "Vernissage" coordinated by a teacher with different subjects responded to its growth requirements (time of alchemy, landscapes, still life). He participated in various group exhibitions. For some years the life away from Art painting, then suddenly shooting bursts with painting (Madonna-Thought) making them rediscover the strong emotions that long sedimentava, expressing then continues through the execution of landscapes, always been his most spontaneous expression. now its focus has shifted to the study of human figures. to his credit and recently a group at the gallery of the book Treviso.
Luno Artist of Treviso for his wish will be presented only with the name of art
Graduate in Medicine. Fascinated and motivated by "the desire to do good with his hands" also deals with "Craniosacral." He paints with passion and says painting. Loves traveling people and cultures, photographing, then express in a pictorial silence her emotions. Releasing colors and visions on canvas. His works are often left deliberately unfinished and untitled to leave the viewer an emotional involvement and interpretation based on their feel.
Of his painting says: Sometimes things happen. Needless to perhaps look for logical reasons. So it was (at least) for me about my "paint". Let's say this: not having domestic walls available I started to smear some piece of wood or canvas. Inventing, improvising, changing, perhaps unconsciously trying ...
He participated in various group exhibitions in Italy, already shown in two personal -
Curator Virginia Milici
Between Impressionism and Expressionism
What differentiates Impressionism and Expressionism is not only a matter of pictorial art, and even the setting from the artist to his work, but it's deep emotional sense and therefore interpretation of existence. In fact, the artist Impressionist focuses on the interaction between light and the eye. He is trying to represent reality with a new sensibility, capturing only those color and light effects that make it enjoyable and interesting look at the world outside. While Expressionism rejects the idea of a painting based on the senses and the pleasure of sight, moving the eye vision deepest interiority of the human soul. The eye, according to Expressionism, is only a means to the interior, where the vision interacts with our psychological sensitivity. Although Expressionism and Impressionism, are presented as the opposite, both movements, however, are "realists" who require the painter than of reality, but in the opposite visual horizons. Thus it is clear dualism between inside and outside, between the 'IO and otherness. In modern art, this difference between the two conceptions of painting is also a symbol of the new way to "see" the existential reality and interpret it. It goes from impressionism watching, expressionism dell'indagare psychological, from classical philosophy to psychoanalysis. In both cases it is only moved the object of the watch: otherness in the Impressionism, the sub-conscious Expressionism. But the viewer is unchanged: the artist or the IO. But it is only in the second half of the'' 800 and early twentieth century, which came to form the new human science, psychoanalysis, with Freud and his pupil Jung, opening new scenarios interpretation of the human psyche: we began to talk about Unconscious as a key individual. In contemporary art, therefore, the classification of Impressionism and Expressionism, has taken on an expression that finds its central and fundamental to the IO, in that particular individual can be defined as the Unconscious. In this new scenario the art visual look, just Impressionist painting is associated with the look of the poetic emotional Expressionism, once the investigation himself. The eye is the objectification of the subjective feeling and living the emotional dimension within, but also lived in interpreting their artistic holistic dimension. The individual conscience, acting as a central interpretive synthesis becomes between the outside and the inside, between the self and otherness. Impressionism and Expressionism then become complementary.
Dott.Valtero Curzi (Philosopher of Art Critic)
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