Material tomography

In the unfolding of the season devoted to the analysis of the language related to sculpture, accompanied from the exhaustive text by Alessia Locatelli study Vanna Casati features the work of Daniel Salvalai young sculptor trained at the Accademia di Brera, where he later will operate as a lecturer. A full plasticity and powerful her, where design, form and matter mingle resulting in images where the natural starting figure is not concealed but loses any reference newspaper to become a research tool. Examples are the largest turtle, the bull, the bull quartered recently exhibited at the Messina museum in Milan and at the Accademia Tadini in Lovere with an iron rod forged in a texture of curved lines to mo 'of graphite we aim to create volumes and which carry us back to the fluid sign of pencil on paper.

The size of the works, a craftsmanship understood as constant application to work as a function of a result consistent with the premises make the sculptures Salvalai an interesting document of contemporary plastic research.