Exhibitions, Belgium, Bruxelles, Brussels, 20 April 2012
http://europawns.has.it
BENNA
europawns
21 - 29 April 2012
http://europawns.has.it
The exhibition is open all day every day.
Chat-vernissage live Friday 20 April from 6PM (GMT+1).
The nineteen caustic artworks of the recent series “europawns” make the body of this experimental show: a telematic exhibition with uncensored real-time chat-vernissage.
When the sensorialism of materials is relevant, the artworks should always be seen in the reality. Anyway, in cases like this, the black on white neatness of the prints from digital graphics makes it possible an adequate use even on the screen.
The artworks of this series keenly deal with the recent events of the Europeanism supporting socio-economic panorama, starting from the Italic territory and arriving to the global context that changes and bustles turbulently. For this reason these artworks are ephemeral: they will become soon obsolete as the politics’ figurants, which are alternating in the parliaments of the self-styled international class of politics. Or perhaps they will become totemic milestones of a bad story not to forget.
The events are so fast that there is no time to find the right words on these arguments or to realize a well structured exhibition before the panorama had already changed: it is necessary to act, offering visibility to the engaged artists. And, what is more adequate than an exhibition that can be seen in all the world, wherever there is an internet access?
(continues...)
BENNA
europawns
21 - 29 April 2012
http://europawns.has.it
The exhibition is open all day every day.
Chat-vernissage live Friday 20 April from 6PM (GMT+1).
The nineteen caustic artworks of the recent series “europawns” make the body of this experimental show: a telematic exhibition with uncensored real-time chat-vernissage.
When the sensorialism of materials is relevant, the artworks should always be seen in the reality. Anyway, in cases like this, the black on white neatness of the prints from digital graphics makes it possible an adequate use even on the screen.
The artworks of this series keenly deal with the recent events of the Europeanism supporting socio-economic panorama, starting from the Italic territory and arriving to the global context that changes and bustles turbulently. For this reason these artworks are ephemeral: they will become soon obsolete as the politics’ figurants, which are alternating in the parliaments of the self-styled international class of politics. Or perhaps they will become totemic milestones of a bad story not to forget.
The events are so fast that there is no time to find the right words on these arguments or to realize a well structured exhibition before the panorama had already changed: it is necessary to act, offering visibility to the engaged artists. And, what is more adequate than an exhibition that can be seen in all the world, wherever there is an internet access?
(continues...)
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