Bowl blue witch

BOWL BLUE WITCH
by Roberta Panichi

Superstitions see the symbol of the ribbon tied in the hair of pretty girls, a
deposit of envy, a sediment of gossips, why each type of vanity
female, whether it? physical or intellectual, was interpreted as a bad sign? co
witch. Dissolve a node is the act of atavistic scon? Tta over evil.
Catino blue witch is a line from a poem by Alessandra Baldoni which reevokes
rites and incantations with a deep hope in tomorrow, the same tomorrow chasing the
white bride immersed in the accumulation of debris.
Just stories of paper, imaginations and impalpable dust, the reality is a point
movement and you have to chase it without sedimentation, is that "space wandering" where everything
can happen, in that continuous change where? nally "learn how to fall."
The young woman on the "Shroud" by Ilaria Margaret, dissolves before our eyes the ribbon knot
white, almost as if to get rid of a heavy burden, leaving the trace of her "now" and
"Before time", a kind of modern witch, not that of evil? There, but the one who
rises to be "other." Untying the knot, becomes free from the conventional roles and fretting
the skin of his body in the real world, the entity discloses its Being, or? appreciate a gift
awareness to life.
The two artists weave its own investigation with the expressive feminine sensibility, the
constant search for gender identity, not referring only to the woman, but the
society as a whole.
One way to create relationships that ride? Niscano roles and? Ni only apparently circumscribed,
thus proving, provisional and variable.
Without any criticism, in an objective status, their work focuses on the transformation
of his being.
A self-awareness achieved through artistic experimentation, as
instrument of knowledge, as an act of self-re? ection, through the investigation of its
lived in constant tension with the outside.
Alessandra and Ilaria indirectly evoke the poetic brave from
many artists in their care, which after years of feminism, retraining? carono the concept
of "body" of the woman outside of the royalties pre? xed by traditional social roles, using
art that is done in a language intimate communication and choral music together.
The woman's body is the center of the world, a body not yet fully "free",
here seen as an entity that concerns us all, universal and sometimes archaic remnant of
claims and irrational statements.
The? Popularly it belongs to the manual tasks of women and the role of passive
of Penelope waiting their Ulysses. In this case, the ability is completely
distorted and becomes an expressive medium of 'identity, an extension of his own being,
meeting between the pleats sewn, with the painful path of life, in an attempt to establish
relations with the outside through twists and complex storylines.
Balances as open as? Golds paper, documented poses scanned extrapolated from
tales of an underworld poetic and tragic together, where the feminine is lost in a
mythology fragile and warlike. A dialogue that relates in a dual exchange to
female, ra? rontando in the same space, two artists who feel a strong urge to
communicate their own path, a path where the "art must be near, him,
next to the people, it must return a desire, a need, a hope. " (Alessandra Baldoni)

From 7 to 28 September
Hall of billets, Citerna