Exhibitions, Italy, Venezia, 09 September 2012
... A place, a temple of hope, endless white circle: This is Song from Venice, the artist's book that Sandra Zémor - French-Israeli, for many years engaged in a profound spiritual inquiry - submit to Françoise Calcagno Art Studio, together the original drawings of the volume. The event will be accompanied by a performance in the field of Ghetto Novo.
Operation refined and illuminating at the same time, that of Zémor: nell'esile graphical structure, covered by a text which is also thin, even the ink has mystical substance, as weighed on the path, calibrated to the extent of the page, apparently incidental. En-Sof, the "endless" - quite paradoxically unknowable and beyond each performance - along the Venice Sandra's almost like a reflex. Yet, the Gd manifests itself in the path is C which is expressed, that leaves no trace in the circularity of life, the symbol is not concluded that one can allow to relate one's soul with the soul of this city.
The work of Zémor, elegant design, are suffused with splendor, the splendor of Malkhut, which is a Kingdom inner and outer relationship and introspection. In the journey of the artist, the edges of the channels, in ecstatic contemplation of the night on the water, listening to that song - small but stubborn, almost a whisper - that acts as a guide, it also means to seek and be sought, in demand - mostly implied - of meaning. Thus, the Venice of Sandra, in those minutes taken to represent the part for the whole, it is home to the Shekhinah, the divine presence which is also understood as individual responsibility, as a choice. Just in taking that responsibility, creative expression acquires a high value, recognizing the dignity exclusive to every.
The light of the One who is infinite - wrote Rabbi Nachman of Bratslav, Hasidic master one of the most enlightened of his time - has no form; rather follows the contours of the receiver at best and at worst. It is for this reason - he concludes - that's up to us to give shape to this light. It's up to us to give her the contours of grace and not those of the curse. So does Sandra Zémor, which Song from Venice chooses to give the light the contours of their hope on the way, and freedom.
Francesca Ruth Brandes
Operation refined and illuminating at the same time, that of Zémor: nell'esile graphical structure, covered by a text which is also thin, even the ink has mystical substance, as weighed on the path, calibrated to the extent of the page, apparently incidental. En-Sof, the "endless" - quite paradoxically unknowable and beyond each performance - along the Venice Sandra's almost like a reflex. Yet, the Gd manifests itself in the path is C which is expressed, that leaves no trace in the circularity of life, the symbol is not concluded that one can allow to relate one's soul with the soul of this city.
The work of Zémor, elegant design, are suffused with splendor, the splendor of Malkhut, which is a Kingdom inner and outer relationship and introspection. In the journey of the artist, the edges of the channels, in ecstatic contemplation of the night on the water, listening to that song - small but stubborn, almost a whisper - that acts as a guide, it also means to seek and be sought, in demand - mostly implied - of meaning. Thus, the Venice of Sandra, in those minutes taken to represent the part for the whole, it is home to the Shekhinah, the divine presence which is also understood as individual responsibility, as a choice. Just in taking that responsibility, creative expression acquires a high value, recognizing the dignity exclusive to every.
The light of the One who is infinite - wrote Rabbi Nachman of Bratslav, Hasidic master one of the most enlightened of his time - has no form; rather follows the contours of the receiver at best and at worst. It is for this reason - he concludes - that's up to us to give shape to this light. It's up to us to give her the contours of grace and not those of the curse. So does Sandra Zémor, which Song from Venice chooses to give the light the contours of their hope on the way, and freedom.
Francesca Ruth Brandes
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