Ist Choreutic Art Exhibition - "Relativity of Emotions" _ That is how an innovative "artistic movement", which promises to revolutionize and change, for the better, the characteristics of contemporary art.

(I STEAL YOU 10 MINUTES OF YOUR TIME.)


"A work is a voice, most works are polyphonic, producing "animated life of feelings".

So the critic and art historian Gabriele Romeo, creator of the Ist Choreutic Art Exhibition entitled "Relativity of Emotions" promoted by EXPOART and editorial director Carlo Capone, was opened in Venice on February 3 at the oldest hall of the Medieval Cloister adjacent to the former convent of the Church of St. Job, and will remain there until February 17, describes his precious creation-artistic event. Undisputed event of the year which is proposed, with promising results of a successful and long-term prolongation in time to go beyond the purely nominal commonplace event-show, as too many now pile up the landscape of contemporary art, acquiring full honorary title, the perfect definition of "real art movement". Baptized, for the occasion: Coreuticart.

Centuries of history teach us that the best artistic movements that have shaped the history of art are born in the field, with the construction, creation, "exposure" of the works. Just think of Impressionism, the first true great art movement baptized by the critics of the time, when the first exhibition of what was not yet a movement, but simple and new pictorial expression of the soul of the artist, as "Exposition Impressionist" with what it, they want to point out all the negative connotation of the term "impression", that the prosecution successfully overcoming fierce "incompleteness artistic work", it becomes a real lucky precursor of contemporary times. Early covertly, with a glimpse of important innovations, by breaking with the tradition of classical painting, only from Romanticism and Realism. But in hindsight, looking back, the time characteristic and historically defined the revolutionary concept of the new Art of rupture can be placed precisely with the birth of the Impressionist movement. Of that movement and art that begins to discuss. To develop a condition of dialogue and discussion, even if not always, however, in favor of the user in relation to the artist and his works controversial, in contrast, that went "beyond", compared to the period in which they were made. The breaking point destabilizes and calls into question the certainties considered inviolable until then. As well as the all new exploit of the varied and multi-sensory interpretation, and not more monolithic, depending on the different shades of sensitivity of different artists, which in their own way face, for the first time, the representation of the Art synaesthetic each in their own way and with their own specific and unique mood. And gradually from there branch out, each finding its precise and fortunate timing, all subsequent artistic movements that go to add a interesting and always new and more proactive piece, to the mosaic that builds and resize each time the foundations of the expression future of contemporary art. And so, without fear of comparison, neither of inferiority and/or superiority "over", stands in perfect time break the Coreuticart.

This new way of thinking about art is born from a desire to relate the artist in a position to dialogue with other artists. The Coreuticart aims to rehabilitate only the final figure of the artist and "the close relationship that the artist-medium with his art work, without putting any division between the two personifications and trying to identify the cultural developments that underlying the creative and social context in which the artist works. The research, study and analysis of the behaviors that lead each artist to express themselves in a different way, preferring a certain "media" compared to another, investigating and experimenting with new forms arising from the individual imaginary creative, mentally stimulating, thus allowing a new way of enjoying the contemporary world, a new identification and classification of figurative and abstract graphic elements. Union and fusion of the concept of synesthesia, relation and action of the senses, in which any user will act in the environment with the works of artists, having the function of "choir trans-positive" contemporary".

In spite of the times we live in, more and more linked to the only and unique heritage purely "economic" of a market, too entrepreneur himself, who abuses of the excessive waste against of "an artist", willing to compromise but also of being carved out a space character and the proper recognition for "his work", without imagining that only enrich the pockets of the Art sells and proves to have little interest in promoting and enhancing the role of the artist and his art, and the desire to create a unique artistic dialogue that creates threads in search of artistic achievement, using the "phenomenological behavior."

The Coreuticart really is proposed, at this point, as the candidacy of absolute precursor of the times that will be. As well as an artistic movement, but also as a cultural movement. Of that culture, in 1871 the anthropologist Edward Burnett Tylor, in his essay entitled "Primitive Culture" describes comprehensively in these terms: "Culture or civilization, taken in its wide ethnographic sense, is that complex whole which includes knowledge, belief, art, morals, law, custom and any other capabilities and habits acquired by man as a member of society. "

Re-educate the eye of the viewer to see, rather than watching, and re-teach it, in a choreutic trans-positive mode, to act actively and not passively of conditioned reflex; allowing it to interact with the artwork and the artist and his soul, that he madeR03;R03;, and invite him, indirectly, to confront him and his world. To understand it better. To appreciate better. To "judge" better, positive, with knowledge of the facts. Because too often, wrongly and superficially, perhaps 'cause some people did not dwell even a minute to explain it to us and let us understand above, we consider the Contemporary Art blasphemous, obscene, tasteless, useless, senseless.
"Contemporary art is something that goes beyond", and that has nothing to do with anything, but aims to investigate the soul of the artist who wants to expose. Pope Paul VI, on the occasion of the inauguration of the hall of modern and contemporary art in the Vatican Museums, was the first to support it strongly.

Therefore, if there is someone who can afford everything, and give the user the right key to understanding the contemporary art, understanding, and knowing closely - from within - the soul of the contemporary artist, this is certainly the creator of this project, anticipated by the Ist Choreutic Art Exhibition - "Relativity of Emotions", Gabriele Romeo.

It is perhaps appropriate to say that this Coreuticart with its Ist Choreutic Art Exhibition is the beginning of a New Era for the world of Contemporary Art? Only time will give us act and demonstration. All in good time.


Erin Polla

(sources and quotes from: Catalogue-EXPOART Magazine #16 February 2013 _ The Ist Choreutic Art Exhibition of Venice - "Relativity of Emotions" _ "The Catalogue of the Artists" by Gabriele Romeo)




NOTE: COMMENTS, VIEWS, VIEWS ABOUT IT ARE WELCOME.
IN FULL FREEDOM. BECAUSE CHOREUTIC MEANS EVEN COMPARING THE ARTISTS. I'D HAVE A COMPARISON CONSTRUCTIVE WITH ALL OF YOU. AND I WOULD LIKE TO KNOW YOUR THOUGHT.
WE HELP US TO EACH OTHER, TO KNOW BETTER US, TO GROW CULTURALLY, AND A LIVE THE ART IN 360° E IN AN ENTIRELY ACTIVE MODE. IN FIRST PERSON.
THANK YOU FOR YOUR COLLABORATION.
ERIN POLLA