EXHIBITION-TRIBUTE: "GIORGIO CELIBERTI - Anthropomorphic Signs"

"The works presented by artists give a clear reading of the choreutic path that each of them pursued. Especially the "sign anthropomorphic", represented by them within the exhibition dedicated to Celiberti, wants to be an important record of how art evolves, how the "technical manual" uses the most disparate research and experimentation that technology offers us today. I thank each of them individually to be able to pick up a new key, for wanting to celebrate this special "celibertiano" birthday.
I thank, on behalf of all, the friend and master Giorgio Celiberti, which has always paid attention to current problems, he gladly accepted the invitation to be with us as a testimonial.
The dialogue, as well as the exchange generation, are important for all those artists participating in the event as well, they can better understand what it means to "compete with the art history".
The "art history" is passion, determination, suffering, joy, fear. So a true artist should not be afraid to give free vent to his eelings, he should not surrender to the obstacles, but must, first of all "know how to communicate with others" in the name of research and have patience, be able to wait for the right moment.
The long artistic career of Giorgio Celiberti teaches us all this and more, and now I feel obliged to thank: Filippo Staniscia with the work "Muse celibertiane"; Erin Polla (Giuseppe Graniello) for his strident and fiery virtuoso drawings; Marco Ciani with his work emo-action-painting; Andrea Giusti with his painting in the balance between informal and Abstract Expressionism; Gabriele Salvatore with his airbrushed painting; Laura Pintaldi with his prints of children; Paul Beraldo with his cybernetic sculpture; Edovincent with its innovative abstraction of the image; Simonetta Rossetto with his portraiture; Angelo Frabasile with his installation "Negativopositivo"; Carlo Capone with his Venetian Venetian.
The way of all of them is still long, but there are conditions to work on them, to allow the teachings of the great masters can produce, stimulate further research in the art that true today, in the present generation, it seems to have run out.
Finally, I thank Gloria Rogliani (multi-champion of the oar) for giving me voice, because she did it, that art can be considered a piece of conjunction with the territory of Venice by means of culture linked to the magnificent Lagoon that surrounds it."

Critic and Art Historian
Gabriele Romeo