Exhibitions, Monaco, Monte-Carlo, 25 March 2013
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The art of abstract expressionism and its mystery overseas, the 'artist Angelique Princess Monique, New York, under the lens of prof.Curator Domenico Andalone Delnegro.
Dig in and 'This is the word of' order, gutting their emotionalism ', translating the neural connective tissue on painting, enter the rooms of madness perceptual rooms of scientific perception for posterity, being an artist in isolation in a desperate attempt a final message to the company 'of consumerism and its projection into the pleasures individualistic, the ghost hovers art with his bare forms of greek and leziosimo of' artistic academicism, a glimpse, a disturbance that will lead 'death dead artists, dissolved like moths in a moment, we are for the broad shape the unfolding of energy, because it has the impact of the unequivocal mystery, we wish to reaffirm the painted surface, sacral and demonic. We are for flat forms because they destroy illusion and reveal the truth of the existential void. This search for a different size, becomes contemplative mystical-transcendent, as in the paintings of Rothko, conceptual, as in the work of Newman, or physical-object as in that of Reinhardt but everything was silenced. Lincoln Kirstein, critical and active supporter of the MoMA, in 1948 he wrote in the pages of Harper's that the principles of the new avant-garde were improvisation as a method, the psychological defloration as a formula, and painting as a hobby in the hands of interior decorators and impatient sellers' some, like John Canaday, were threatened with death if they dared to openly criticize the orgy monopoly "of the New York School. The Secret Service came to buy a seat in the national expressionism at the Venice Biennale of 1956 (the United States was the only country to be presented in a separate section of abstract painting belongs to the generation of American artists who have transformed the essence and the form of abstract painting. Intellectual thinker, a man of great culture, a lover of music, literature and philosophy, Mark Rothko is one of the leaders of that group of American painters known as "abstract expressionists." Trained in New York during the Depression years, the movement known as the School of New York, includes among its members Jakson Pollock, Willem De Kooning, Adolph Gottlieb, RobertMotherwell, Franz Kline, Clyfford Still, Mark Rothko, Barnett Newman, to Abstract Expressionism does not mean so much a style as a generic process that sees emotions expressed through action painting, gestural immediacy that draws Princess Angelique Monet, aware of its role of 'contemporary artist, rappresentamdo the crisis values of existentialism, though all are influenced European art, especially Surrealism and of 'Expressionism, the differences between these artists are substantial and emerge especially since the 40's. Till about 1945 it reached a climax to the great experience Creative Abstract Expressionist extend two avenues: Action Painting, Action Painting, on the one hand, and the Color Field Painting, Painting Pattern of color) on the other. The Action Painting, which includes among its exponents Jakson Pollock, Willem De Kooning and Franz Kline, plays in a "heroic" man of the age of anxiety. Signs distressing and violent crossing the paintings are strong expressions, and cry from 'intimate, social problems, stir the conscience and will of the change, the colors drained and furiously tangled refer to the inextricable tangle and complexity of existence, which is resolved only in the magical dimension of artistic, liberating and absolutist the CIA tried to export the product as abstract expressionism in Europe, North American native art, through substantial funding hidden for exhibitions, events, competitions, in order to prove that the art of the absolute freedom of the participating States, abstract expressionism was "designed" to get the support of the European intellectuals, Sanders cites an article by Eva Crockfort, "Abstract Expressionism, as an" authentic expression, independent and indigenous of the will, the spirit and the American national character, it seems that, as aesthetics, art U.S. is no longer a place where they accumulate European influences "). The paradox, according to Frances, is that "to promote the acceptance of the art produced in democracy and touted as an expression of democracy, one had to circumvent the democratic process, were only the funds of Rockefellers to ensure the creation of a "New York School": abstract expressionism had no success in the United States, criticism authoritative immediately began to segregation in the new avant-garde, even an adviser to the MoMA resigned in protest against the "shopping spree" for a unpresentable Rothko and 'should be added that most of those guys probably had within it some artistic inspiration, and the acceptance of such a compromise led them to end their lives in disgrace: Pollock, perpetually drunk (especially when he had to spread the color on a white tent) died in a car accident, Franz Kline was like dell'acool victim, David Smith also ended him in a "suicide highway" Mark Rothko slashed her veins; Arshile Gorky hanged himself, becomes a fundamental choice the subject, which must be "tragic and eternal," with a meaning universal, choose symbolic figures archaic because they believe that the tragic sense of life is revealed through simple shapes, but inspirational non-fiction, the absoluteness of prismatic color, expresses the emotions before the mystery of life and its dissolution, the color is almost monochrome, diaphanous, bland, there are minimum scores of the scope of painting and the paintings are large in the letter-manifesto of 1943, the artists say: we support the simple expression of the complex thought. Color Field Painting Painting in color fields is instead a painting "reflective", contemplative, in which the emotional force of color plays a predominant role are part of Mark Rothko, Barnett Newman and Ad Reinhardt. Contrary to Action Painting, focused on the expression of the individual, painting backgrounds is based on an active and profound relationship between painting and viewer, Rothko. For these artists, the art is not to be experienced individually, but collectively. In the early 40's Nelson Rockefeller, chairman of the Museum of Modern Art (MoMA) in New York, according to the U.S. Secret Service and related agencies, put up for auction some valuable works of the nineteenth century to buy the "masterpieces "the first wave of so-called" abstract expressionism "(Jackson Pollock, Robert Motherwell, Stuart Davis, Adolph Gottlieb, Frank Stella). This avant-garde art was in all respects a product of the CIA, it is not conspiracy, but of historical fact documented by Frances Stonor Saunders that collects declassified documents about the U.S. activities of cultural propaganda during the Cold War, a high price, then , learned the lesson of Alfred Barr, the first director of MoMA, the man who advised services directly propagate the abstract expressionism: the Nazis and the Soviets in general, Europeans do not accept the absolute freedom of Americans, the non-conformity of artists and their love for independence, so we need a little 'art overseas. In the name of "freedom" American, Pollock and Hartigan were competing to see who had it bigger the canvas on which to scribble in states alcohol during an exhibition of "The New American Painting" in Barcelona, it was necessary to remove the wall that was above the metal door of the museum, so that they could enter the two crusts rivaling in size.
Princess Angelique Monet captures the historical lesson, aware of the fracture that produces his work out of the box of conceptualism, translates' emotionalism 'social and intimate in a binary parallelelismo his emotionalism' as echo-sounder to his childhood world, and where the anxieties and fears of the Vanguards of overseas back to relive the spectrum of his work out of the iconoclastic aesthetic simpering earthquakes.
A. Monét Interview Art Basel 2012
youtu.be
World renown art curator Jorge Luis Gutierrez speaks about the work of artist A. Monét, which is shown at Artopia Gallery in Miami during Art Basel. After hi...
-copyright - not for partial and full disclosure, any abuse will be 'criminal prosecution.
------------------------------------------------------------------------
The art of abstract expressionism and its mystery overseas, the 'artist Angelique Princess Monique, New York, under the lens of prof.Curator Domenico Andalone Delnegro.
Dig in and 'This is the word of' order, gutting their emotionalism ', translating the neural connective tissue on painting, enter the rooms of madness perceptual rooms of scientific perception for posterity, being an artist in isolation in a desperate attempt a final message to the company 'of consumerism and its projection into the pleasures individualistic, the ghost hovers art with his bare forms of greek and leziosimo of' artistic academicism, a glimpse, a disturbance that will lead 'death dead artists, dissolved like moths in a moment, we are for the broad shape the unfolding of energy, because it has the impact of the unequivocal mystery, we wish to reaffirm the painted surface, sacral and demonic. We are for flat forms because they destroy illusion and reveal the truth of the existential void. This search for a different size, becomes contemplative mystical-transcendent, as in the paintings of Rothko, conceptual, as in the work of Newman, or physical-object as in that of Reinhardt but everything was silenced. Lincoln Kirstein, critical and active supporter of the MoMA, in 1948 he wrote in the pages of Harper's that the principles of the new avant-garde were improvisation as a method, the psychological defloration as a formula, and painting as a hobby in the hands of interior decorators and impatient sellers' some, like John Canaday, were threatened with death if they dared to openly criticize the orgy monopoly "of the New York School. The Secret Service came to buy a seat in the national expressionism at the Venice Biennale of 1956 (the United States was the only country to be presented in a separate section of abstract painting belongs to the generation of American artists who have transformed the essence and the form of abstract painting. Intellectual thinker, a man of great culture, a lover of music, literature and philosophy, Mark Rothko is one of the leaders of that group of American painters known as "abstract expressionists." Trained in New York during the Depression years, the movement known as the School of New York, includes among its members Jakson Pollock, Willem De Kooning, Adolph Gottlieb, RobertMotherwell, Franz Kline, Clyfford Still, Mark Rothko, Barnett Newman, to Abstract Expressionism does not mean so much a style as a generic process that sees emotions expressed through action painting, gestural immediacy that draws Princess Angelique Monet, aware of its role of 'contemporary artist, rappresentamdo the crisis values of existentialism, though all are influenced European art, especially Surrealism and of 'Expressionism, the differences between these artists are substantial and emerge especially since the 40's. Till about 1945 it reached a climax to the great experience Creative Abstract Expressionist extend two avenues: Action Painting, Action Painting, on the one hand, and the Color Field Painting, Painting Pattern of color) on the other. The Action Painting, which includes among its exponents Jakson Pollock, Willem De Kooning and Franz Kline, plays in a "heroic" man of the age of anxiety. Signs distressing and violent crossing the paintings are strong expressions, and cry from 'intimate, social problems, stir the conscience and will of the change, the colors drained and furiously tangled refer to the inextricable tangle and complexity of existence, which is resolved only in the magical dimension of artistic, liberating and absolutist the CIA tried to export the product as abstract expressionism in Europe, North American native art, through substantial funding hidden for exhibitions, events, competitions, in order to prove that the art of the absolute freedom of the participating States, abstract expressionism was "designed" to get the support of the European intellectuals, Sanders cites an article by Eva Crockfort, "Abstract Expressionism, as an" authentic expression, independent and indigenous of the will, the spirit and the American national character, it seems that, as aesthetics, art U.S. is no longer a place where they accumulate European influences "). The paradox, according to Frances, is that "to promote the acceptance of the art produced in democracy and touted as an expression of democracy, one had to circumvent the democratic process, were only the funds of Rockefellers to ensure the creation of a "New York School": abstract expressionism had no success in the United States, criticism authoritative immediately began to segregation in the new avant-garde, even an adviser to the MoMA resigned in protest against the "shopping spree" for a unpresentable Rothko and 'should be added that most of those guys probably had within it some artistic inspiration, and the acceptance of such a compromise led them to end their lives in disgrace: Pollock, perpetually drunk (especially when he had to spread the color on a white tent) died in a car accident, Franz Kline was like dell'acool victim, David Smith also ended him in a "suicide highway" Mark Rothko slashed her veins; Arshile Gorky hanged himself, becomes a fundamental choice the subject, which must be "tragic and eternal," with a meaning universal, choose symbolic figures archaic because they believe that the tragic sense of life is revealed through simple shapes, but inspirational non-fiction, the absoluteness of prismatic color, expresses the emotions before the mystery of life and its dissolution, the color is almost monochrome, diaphanous, bland, there are minimum scores of the scope of painting and the paintings are large in the letter-manifesto of 1943, the artists say: we support the simple expression of the complex thought. Color Field Painting Painting in color fields is instead a painting "reflective", contemplative, in which the emotional force of color plays a predominant role are part of Mark Rothko, Barnett Newman and Ad Reinhardt. Contrary to Action Painting, focused on the expression of the individual, painting backgrounds is based on an active and profound relationship between painting and viewer, Rothko. For these artists, the art is not to be experienced individually, but collectively. In the early 40's Nelson Rockefeller, chairman of the Museum of Modern Art (MoMA) in New York, according to the U.S. Secret Service and related agencies, put up for auction some valuable works of the nineteenth century to buy the "masterpieces "the first wave of so-called" abstract expressionism "(Jackson Pollock, Robert Motherwell, Stuart Davis, Adolph Gottlieb, Frank Stella). This avant-garde art was in all respects a product of the CIA, it is not conspiracy, but of historical fact documented by Frances Stonor Saunders that collects declassified documents about the U.S. activities of cultural propaganda during the Cold War, a high price, then , learned the lesson of Alfred Barr, the first director of MoMA, the man who advised services directly propagate the abstract expressionism: the Nazis and the Soviets in general, Europeans do not accept the absolute freedom of Americans, the non-conformity of artists and their love for independence, so we need a little 'art overseas. In the name of "freedom" American, Pollock and Hartigan were competing to see who had it bigger the canvas on which to scribble in states alcohol during an exhibition of "The New American Painting" in Barcelona, it was necessary to remove the wall that was above the metal door of the museum, so that they could enter the two crusts rivaling in size.
Princess Angelique Monet captures the historical lesson, aware of the fracture that produces his work out of the box of conceptualism, translates' emotionalism 'social and intimate in a binary parallelelismo his emotionalism' as echo-sounder to his childhood world, and where the anxieties and fears of the Vanguards of overseas back to relive the spectrum of his work out of the iconoclastic aesthetic simpering earthquakes.
A. Monét Interview Art Basel 2012
youtu.be
World renown art curator Jorge Luis Gutierrez speaks about the work of artist A. Monét, which is shown at Artopia Gallery in Miami during Art Basel. After hi...
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