Busan Biennial
Exhibitions, South Korea, Pusan, 11 September 2010
Curator: Takashi Azumaya

Press release
An individual life span is anything up to and sometimes more than 100 years. However, the human race has existed continuously from ancient times over many thousands of years. Throughout this long history, the human race has experienced evolution in both intelligence and biological aspects. And it will keep evolving like this in the future. In other words, we are living on a longer evolutionary time axis as well as living individual lives.

However, this is a complex and sometimes contradictory territory. Often the development of economic systems or political power may be the cause of pressures for individual lives, and the developments of science have been used for war. Whilst the inventions of civilization have greatly benefited our daily lives, many people have also criticized these inventions ever since the Industrial Revolution. In the realm of the mass media and advertising the image of beautiful or strong people has become the standard encouraging humans to evolve in this idealized direction. However, such developments have also marginalized many people who do not fit the ideal.

Art, in all its various forms, has contributed to the human race's intellectual evolution. In the realm of art history, for example, the paintings of Edouard Manet in the 19th century or the objects produced by Marcel Duchamp in the early 20th century, serve as examples of works which were not highly valued at the time of their creation. The value and perception of their works have changed over the passage of time.

We can suggest that the axes of individual life and evolution are not always separate. Sometimes they touch one another, as for instance when an individual artist’s work contributes to the broader human evolution.

We are living individual lives. Yet at the same time, we are living in the processes of evolution. Evolution will continue. But no one knows the direction of this evolution. This exhibition will try to think through the relations between art, society, world, history and the future by considering the dual time axes in which we are living today.

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