Exhibitions, Italy, Roma, 06 June 2014
Triennial Exhibition of Visual Arts in Rome 2014 Art
It is very easy to place several decades an artistic movement more or less dominant , causing the latter to become almost the label of the times . For example, the '60s were connoted by the advent Pop Art , the years '65 - '70 Arte Povera , the 80 Transvanguardia and all forms of " return to painting " as the neo- mannerism.
Moreover, this must be added the further amount of specular references and eternal returns typical of the twentieth century, such as the "Back order" following the First World War and the same current so-called "Presence of the Past " initiated by the Architecture Biennale eighties.
However, becomes more difficult to understand , decode and encode the artistic path relative to the period 2000-2013 , even better than purely restricted the years 2010-2013.
Indeed, this short period of time has been dominated by an absence of taste, not to be construed as distasteful, but rather as a dominant taste of inaction . This freedom has caused significant mutations : first crystallization between different levels, on the one hand by increasing the elitism of various foundations fashion / art, on the other hand the immense extension of the class art / craft . In addition it has come to create a kind of contamination of genres that produced a mild and peaceful co-existence of the same, different styles and genres , (abstraction and figuration in art, functionalism in architecture and ornament ) unthinkable and unbelievable throughout the twentieth century.
The Triennial Exhibition of Visual Arts in Rome 2014 offers the task of interpreting these linguistic diversity now merged into a common prose , trying to decorticate the signs, the seeds, the roots of this current situation.
The issue , therefore, respond to the criteria evanescent , ephemeral, of the poetic and imaginative . The purpose of the exhibitions will be " analytical " and then , only after the exposure , you can " diagnose " the current state of affairs.
The exhibition "Architecture of Paradise" ( with investments of national and international ) will consist of artistic and architectural works designed to suggest the idea of a utopian " city planning in the clouds " in which neighborhoods, buildings, interiors and so paintings, statues, furniture are nothing more than projections ideals, ethereal , yet stylistically speaking . That is the context in which , ornament and function are not addressed to a aldiqua ( history or tradition, the past, present , future ) but to a Hereafter ( utopia , the common good , equality semantic and linguistic ) . For the first time in the history of avant-garde is proposed that does not seek to carry forward into the future (like all the historical avant-garde from Futurism ) does not propose to go through the time ( trans ) but operate in an elsewhere that it is Paradise, Eden , Janna , Paradeisos .
This exhibition will be accompanied by regional pavilions , these free theme deliberately in order to express the naturalness , the agency determined in his practice. In essence, these investments will symbolize the state relative to the current time in which the coexistence of different styles and languages can orientate towards or into a stock or an expiation ( paradise )
It is very easy to place several decades an artistic movement more or less dominant , causing the latter to become almost the label of the times . For example, the '60s were connoted by the advent Pop Art , the years '65 - '70 Arte Povera , the 80 Transvanguardia and all forms of " return to painting " as the neo- mannerism.
Moreover, this must be added the further amount of specular references and eternal returns typical of the twentieth century, such as the "Back order" following the First World War and the same current so-called "Presence of the Past " initiated by the Architecture Biennale eighties.
However, becomes more difficult to understand , decode and encode the artistic path relative to the period 2000-2013 , even better than purely restricted the years 2010-2013.
Indeed, this short period of time has been dominated by an absence of taste, not to be construed as distasteful, but rather as a dominant taste of inaction . This freedom has caused significant mutations : first crystallization between different levels, on the one hand by increasing the elitism of various foundations fashion / art, on the other hand the immense extension of the class art / craft . In addition it has come to create a kind of contamination of genres that produced a mild and peaceful co-existence of the same, different styles and genres , (abstraction and figuration in art, functionalism in architecture and ornament ) unthinkable and unbelievable throughout the twentieth century.
The Triennial Exhibition of Visual Arts in Rome 2014 offers the task of interpreting these linguistic diversity now merged into a common prose , trying to decorticate the signs, the seeds, the roots of this current situation.
The issue , therefore, respond to the criteria evanescent , ephemeral, of the poetic and imaginative . The purpose of the exhibitions will be " analytical " and then , only after the exposure , you can " diagnose " the current state of affairs.
The exhibition "Architecture of Paradise" ( with investments of national and international ) will consist of artistic and architectural works designed to suggest the idea of a utopian " city planning in the clouds " in which neighborhoods, buildings, interiors and so paintings, statues, furniture are nothing more than projections ideals, ethereal , yet stylistically speaking . That is the context in which , ornament and function are not addressed to a aldiqua ( history or tradition, the past, present , future ) but to a Hereafter ( utopia , the common good , equality semantic and linguistic ) . For the first time in the history of avant-garde is proposed that does not seek to carry forward into the future (like all the historical avant-garde from Futurism ) does not propose to go through the time ( trans ) but operate in an elsewhere that it is Paradise, Eden , Janna , Paradeisos .
This exhibition will be accompanied by regional pavilions , these free theme deliberately in order to express the naturalness , the agency determined in his practice. In essence, these investments will symbolize the state relative to the current time in which the coexistence of different styles and languages can orientate towards or into a stock or an expiation ( paradise )
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