FIGURES that he captures on canvas are the expressions of our daily (more frequently now part of the digital universe) is not often in the form of poetry, indeed very earthly; are gestures, tics, smiles, photographic poses and almost unnatural. The poetics of memory of Bonfiglio transforms but also in FIGURINEs. Real "objects" of memory, able to represent the lightness and the perturbation of a past imaginative, that of an adult who, with a condescending look, is projected into a nostalgia inexplicable but necessary, in the illusion of returning to an age of wonders.
FIGURES that he captures on canvas are the expressions of our daily (more frequently now part of the digital universe) is not often in the form of poetry, indeed very earthly; are gestures, tics, smiles, photographic poses and almost unnatural. The poetics of memory of Bonfiglio transforms but also in FIGURINEs. Real "objects" of memory, able to represent the lightness and the perturbation of a past imaginative, that of an adult who, with a condescending look, is projected into a nostalgia inexplicable but necessary, in the illusion of returning to an age of wonders.
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