"From early works to the recent ones - personal and collective unconscious"

The Brasserie at the Gardens of Palazzo Schifanoia - Garden of Love, a semi-permanent exhibition of Enrico Gherardi, with its unusual "small and shortwomen".
Opening in conjunction with the exhibition "solo piano" by Robert Bisha.
. " My women - says the author - they are strong, independent of any superstructure educational monotheistic morality and contemporary, they are free from any ethics, they do not need anything, not even of men. Perhaps they are archaic, polytheistic, combative, belong to an essence feminine forgotten and buried by subsequent moral, "sexist" and romantic, that have obscured and hidden in the darkness of the unconscious, and the caves where they hid the last witches, priestesses in reality outcasts and persecuted. the design always - the author continues - as a need, an urgent need for screaming from the bottom of the soul. "These women are often similar as twins, and try to meet and merge with each other, either through love or through the fight. They therefore an archetypal character, and certainly, for the author, the cathartic function of the "mandala".