Publishing, Italy, Pescara, 05 October 2013
Skills: Marketing manager
ROME, 28/09/2013 (Number 2) -
As the work'll let my cry (my scream) also belongs to the framework Puberty blue period. In the works of this cycle relive compositional motivations of particular interest, for simplicity of discussion in which the human figure is the protagonist in its entirety.
The youthful figure of the work puberty, the body compact and balanced, it remains the primary element for the fluidity of the plant anatomy. The waters in front of the figure of the young girl, who tries to sail his boat there paper in the pond, do not disturb the unity of the system. Small details add to the human figure have only narrative character.
Pirozzi not view nature as a spectator, but as an interpreter. The theme of anthropomorphic fascinates him. The constant presence of the human image in his works is to consider harmonizing element, in good summary, realism and stylization. Just follow her creative journey and the gradual transformation of his language, to realize this.
In the work puberty, the refinement of the youthful body elicits tenderness. There is no stinging or fleshiness sensuality provocative, because the figure of the girl, well established in his profile, fails to go beyond the terms of reference of the immediate nature, without falling into banality of most pedantic realism. We are not in front of a shell without substance or in front of a figure designed to arouse sensual affection.
In the work puberty it captures the youth in its entirety. Youth who can transform the physical reality in communication flag, restless in the climate of our times.
Of course, in puberty, there is idealization push to achieve effects of singular fineness of raw descriptive and not figurative realism.
Pierluigi Chillà
As the work'll let my cry (my scream) also belongs to the framework Puberty blue period. In the works of this cycle relive compositional motivations of particular interest, for simplicity of discussion in which the human figure is the protagonist in its entirety.
The youthful figure of the work puberty, the body compact and balanced, it remains the primary element for the fluidity of the plant anatomy. The waters in front of the figure of the young girl, who tries to sail his boat there paper in the pond, do not disturb the unity of the system. Small details add to the human figure have only narrative character.
Pirozzi not view nature as a spectator, but as an interpreter. The theme of anthropomorphic fascinates him. The constant presence of the human image in his works is to consider harmonizing element, in good summary, realism and stylization. Just follow her creative journey and the gradual transformation of his language, to realize this.
In the work puberty, the refinement of the youthful body elicits tenderness. There is no stinging or fleshiness sensuality provocative, because the figure of the girl, well established in his profile, fails to go beyond the terms of reference of the immediate nature, without falling into banality of most pedantic realism. We are not in front of a shell without substance or in front of a figure designed to arouse sensual affection.
In the work puberty it captures the youth in its entirety. Youth who can transform the physical reality in communication flag, restless in the climate of our times.
Of course, in puberty, there is idealization push to achieve effects of singular fineness of raw desc
Pierluigi Chillà
Comments 25
Un abbraccio.
Lino
LUCIA GHIRARDI
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