Tavor Art Mobil
Exhibition, Italy, Cagliari, 31 December 2013
Skills: Publisher
No east Sardinia Italy



path # 1



Visual artistis: Alessandro Sanna, Peppe Esposito and Donato Arcella.



Guests in the gallery furniture:

Laura Sanna, journalist for "Sardinia 24".



Dario Cosseddu, word activist, poet, philosopher and writer militant.





Mimma Ferraraccio to researcher in art education applied to a social opportunity for better life.



Video:

http://youtu.be/ysn7f0IdGUY

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February 12-April 14:



Tavor Mobile Art:



Route No.2



Visual artists: Jeff Tola, Lalla Lussu, Marco Lavagetto, Bob Marongiu, Maurizio Cattelan-Pierpaolo Ferrari and Luciano Gerolamo Gerini.



Critical contribution by car: Elena Tradori, political activist, Andrea Sitzia, Iglesias small business owner in times of global economic crisis and Marco Fadda, the blacksmith psicoelettronico sound.



Video: http://youtu.be/dwUt3QMXjQY



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Tavor Art Mobil Ex Q feat of Sassari:



http://youtu.be/h7OdhJ0kDBY



Visual artists: Stefano Melis

Critical essay: Enrico Lobina, the only councilor to Cagliari red.



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April 15-June 10:



Tavor Mobil Art, Route # 3: Next station: Obrèscida 02.



Visual artistis: Mark Rallo, Michele Guidarini, Domenico Olivero, Luigi Ambrosio, Gianantonio Marino Zago, GEC Art, AND THE MOUSE, G & g-Lineadarte and Antonello Roggio.



Critical contribution by car: the architects George Saba and Gigino Massenti Ga.Ru and the raver!



http://youtu.be/5ooEINl3YzI



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Tavor Art Mobil feat nootempo:



Gangalistics

http://youtu.be/n0tDTjMYY5w



Bentesoi

http://youtu.be/_hGbuaQVKTA



Project by Quito, Sat race / Maloscantores





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Route No.4



June 17 - August: Pablo Echaurren, Lele Sgambati, Emilio Rizzo, Marian Bellarosa, obscurantist movement, Mauro Rescigno, Dario Lanzetta, Luis, Michael and Clare Schirru Mereu.





In the car Calledda political activist Nicholas, Matthew and Susanna Sanna association Murgia Don Quixote.



The video http://youtu.be/f8iPAXOg_4Y









Tavor Mobil Art, Route No.5



August 26 - October: Antonella Pani, Alfonso Lentini, Daniel Money, Angelo Barile, Angelo Riviello, Eliseo Pau, Gianfranco Sergio Alfonso Syracuse, NFA New Figuration anarchist, Academy Nomad (Cristina Aldrighi, Jeremiah RENZI & LUCIA Rosano), Lucilla Fish, AIR UNDERGROUND - RED, Giovanni Manunta Pastorello, Nuria Metzil.



By car: David Pisu, Enrico Lobina and Vanessa Podda.





Route No. 5 with Alfonso Lentini and its surface marked by the sign, the complaint reached the freedom and emancipation of women of Daniel Money, the nostalgic pop disillusioned Angelo Barile focused on the commander spoke, the passion and the nightmare of Euro GOoD , emigrated to the sound and photographed by Eliseo Pau, painting with a strong content Gianfranco Sergio Alfonso Syracuse with its mystical, hallucinatory Fresh Art, the stochastic satire of NFA, the Nomadic Academy in motion, the complaint through painting painting Pastorello, Lucilla Fish and northern Sardinia sixties passed, Antonella Pani and his photographic survey of the meaning and sense of light that draws the shape, and not the project Air Underground.

Nuria Metzil sublimates discarded objects and rivalutandoli sublimandoli in pop but anticonsumistica, his works seem to children of a genetically Schifano modificatosi Koons after meeting in Mexico and challenged him in singles wins for the combat art of Frida Kahlo.



By car to relate these artistic pursuits:

The curator of artist - activist in the service of their neighborhood association with the Urban Center David Pisu; performatica the holistic and cross-artist Vanessa Podda and Enrico Lobina the only councilor to Cagliari red.







Route No. 6



October 21 December: Antonio Conte, Andrea Basciu, Elena and Philip Clari "Lippi" Ciardi ", Maximilian Stereomapo, Luca Lo Coco, Eric Serafini, Massimiliano Mirabella, Santini Del priest, Francesco Cogoni (Stay on a mud), Luca Rossi, Umberto Boscolo WOODNS (Rovigo, March 5, 1932-Como, April 9, 2008).



By car The Balentia.



In 2013, four quarterly exhibitions of personal artistic profiles hyperconnected with memory.





Jan-Mar: The Carmel Italian gavotte Rallo feat Mark, Matthew and Peter Maietta Tauriello.



Not to forget: Orfeo drums, Pino Pinelli, Mimmo Germana, Fernandez Arman, Pol Bury, Joan Miro, Bonalumi Agostino and Marco Tirelli.



By car Corriga Salvatore, Matthew Lobina and Ignazio Pala.



April-June: Alfonso Syracuse feat the Nigerian Bola Ecua.



Not to forget: Kumi Sugay, Garcia Rossi, Cy Twombly, Antoni Tapies, Jorrit Tornquist, and Joseph Ibrahim Kodra Migneco.



By Car Underground Solution









July to September

The Arab Hamid Piccardo, Algiers author of "Les enfants de Osama" feat Luigi Ambrosio and Lele Sgambati.



Not to forget: Emilio Isgrò, Andy Warhol, Joseph Beuys, Capogrossi, Valerio Adami, Toti Scialoja, Giuseppe Chiari and Ernesto Treccani.



By car Savior Ligotti, Miriam Califano and Mauro Rizzo.





October to December

The Slavic Dimitri Bioy feat N.F.A. New Figuration anarchist and Donato Arcella.

Not to mention Mario Schifano and Sebastian Matta



By Car Enrico Lobina, Elena and Nicola Tradori Calledda.



The idea of R03;R03;the Tavor Mobile Art was founded in 2012 after the civil marriage of two artists Ardau-Di Caterino and an ancient Phoenician Punic ritual the celebrant who wants to actually communist left and the celebrant in their case was Enrico Lobina, l ' single councilor red junta Zedda. The operation starts from the realization that the surplus in the art system creates an economic value-added and often unbridgeable distance between the viewer and the visual artist. To reduce this anti-democratic and unbridgeable distance between the artist and the viewer has decided to invest in their own private space creating the mobile network to another system, the first symbolic emotional and economic, can put in contact artists and their work and the micro-community that each time you turn, avoiding conflicts of interest and monopolisations private and public space policies, embarrassment and strong limit in the processes of contemporary artistic research strongly rooted in the community and in the community in times of global economic crisis. Basically if you do not start from what the Chinese economic model and in black from economics to reconfigure the role of the artist at this end of the third millennium? (The Tavor that your critic is you)



Artists can now offer their production autonomy relating it to their audience or to contact them, they can plan independently processes, projects and products and also shared, can relate their work directly and autoprodurlo, artists are the solution to the fault economic system of contemporary art.

The artist can manage themselves their own economic and cultural resources is an independent artist, reduces waste, it is to regain the same job, or a part of it was transferred to unnecessary middlemen to retailers that they know how to do pay the same artist the cost of the service offering. To do this we must invest in their own time, produce less and consume less, we must invest in relational goods, goods and in their culture, their car with a targeted use of social networks can become a gallery of contemporary art processes, our car (whose operating expenses are ours) may become a common good, beyond the usual rivalry between artists and non-exclusive, our car is usually a relational good "live", there is the pleasure of the guests in the car, before friends all, and a conversation with them.



The good which we are investing is the friendship and the direct knowledge of the work of artists who know the game and accept the challenge, we exchange ideas, opinions and research in search of the reappropriation of our lives and our work, to free himself from insiders Work is the best way to break free from the bondage of artistic research sets the economic system of art spread.



Every two or three months we organize an exhibition of contemporary art in our car, press and royal inauguration which are asked only three non-professionals who have the task of relating to artistic research proposals in the car, the video tour of the document 'opening with comments and reflections of the guests in the car for two or three months we publish it on you tube we send to the bitter end on social networks facebook and twitter, as well as works that photograph during the two or three months of exposure tagging the artist that coexists with us in our movement, the address where to send the piece is Domenico Di Caterino and Barbara Ardau, Antares Street 32, 09012, Cagliari Capoterra, not just get your piece you insert into the calendar, many thanks, we live in Southern Sardinia and for us it is not easy to relate to other artistic pursuits, consider this an incentive for our community and our land





Press Release:

BACK TO PRODUCE A Pisci FORASA



The visual artist Mimmo Domenico Di Caterino (Mario Pesce Fore) after the marriage of art and life with the artist Barbara Ardau in 2012 he returned to work and produce, on his latest crazy project consists of individual anarchist terrorist in times of crisis global economic and spreads unstoppable runaway nell'aggredire engulfing the Chinese economy with its own weapons and has committed to play the recantations of the Western art system, stronger than both very old, outdated and far from common sense the free market, regulated from the excesses of the auction houses and private galleries has therefore decided to revise the price list and stop giving or give up their car works in order to inflate his work and his quotation and rank among the priceless, but by a position outside the market system and peripheral attaches to the following new standard price list for work on tracing paper size 50 to 70:

Minimum price for his work for residents in Sardinia: 1.50 euros

Minimum price for his work for residents in Italy: 3 euro

Minimum price for European citizens: 5 euros

Minimum Price outside Europe: 6 Euro

Official distributor of its work, the Tavor Mobile Art curator whose programming is shared with Barbara Ardau

Info:

mariopesceafore@lifegate.it

mariopesceafore@hotmail.it

barbara.ardau @ tiscali.it

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