Exhibition, Italy, Salerno, 26 November 2017
Skills: Exhibition space
SPACE OPHEN VIRTUAL ART GALLERY
PAVILION LAUTANIA VIRTUAL VALLEY / 1887 - Kurt Schwitters & Marcel Duchamp "UNIVERSE POSSIBLE / Towards Intelligent Globality" by Giovanni Bonanno. From 6 May 2017 to November 26, 2017- Two international proposals presented at the same time with the 57th Venice International Art Biennial 2017.
MARCEL DUCHAMP / 1887 - Border Area Duchamp Gate
International collective exhibition dedicated to Marcel Duchamp
edited by Giovanni Bonanno / Second contemporary and independent event designed in conjunction with the 57th Venice International Art Biennial 2017
From 28 August to 26 November 2017
Inauguration: Monday, August 28, 2017, 6 pm
Ophen Virtual Art Gallery, Via S. Calenda, 105 / D - Salerno Tel / Fax 089 5648159
e-mail: bongiani@alice.it
Web Gallery: http://www.collezionebongianiartmuseum.it
Continuous timetable daily from 00.00 to 24.00
For the 130th anniversary of Marcel Duchamp's birth (Blainville-Crevon, July 28, 1887 - Neuilly-sur-Seine, October 2, 1968), the Spazio Ophen Virtual Art Gallery at the 57th Venice Biennale 2017 intends to focus on as an independent and contemporary event at the "Pavilion Lautania Virtual Valley" at Marcel Duchamp and Kurt Schwitters, who fully summarize the concept of inquiry as the privileged place to discover dreams and utopias that in the metaphysical and mental dimensions suggest worlds and collective imaginations. In the three-dimensional assembly "Etant Donnés" Duchamp works in secret for the last twenty years of his life. In 1968, when leaving New York to spend the summer in Europe, work is now over and Marcel before dying is concerned about organizing his final presentation by preparing a construction instruction manual, including photographs , note and a scale model. The still little-known work arises in the need to go beyond, to define and to fully shape the possible extension of the other, in the further need to metabolize reality. A whole-game invention on screening of fragments and "possible universes", between the freedom of creation and the intelligent globality of making art.
PAVILION LAUTANIA VIRTUAL VALLEY / 1887 - Kurt Schwitters & Marcel Duchamp "UNIVERSE POSSIBLE / Towards Intelligent Globality" by Giovanni Bonanno. From 6 May 2017 to November 26, 2017- Two international proposals presented at the same time with the 57th Venice International Art Biennial 2017.
MARCEL DUCHAMP / 1887 - Border Area Duchamp Gate
International collective exhibition dedicated to Marcel Duchamp
edited by Giovanni Bonanno / Second contemporary and independent event designed in conjunction with the 57th Venice International Art Biennial 2017
From 28 August to 26 November 2017
Inauguration: Monday, August 28, 2017, 6 pm
Ophen Virtual Art Gallery, Via S. Calenda, 105 / D - Salerno Tel / Fax 089 5648159
e-mail: bongiani@alice.it
Web Gallery: http://www.collezionebongianiartmuseum.it
Continuous timetable daily from 00.00 to 24.00
For the 130th anniversary of Marcel Duchamp's birth (Blainville-Crevon, July 28, 1887 - Neuilly-sur-Seine, October 2, 1968), the Spazio Ophen Virtual Art Gallery at the 57th Venice Biennale 2017 intends to focus on as an independent and contemporary event at the "Pavilion Lautania Virtual Valley" at Marcel Duchamp and Kurt Schwitters, who fully summarize the concept of inquiry as the privileged place to discover dreams and utopias that in the metaphysical and mental dimensions suggest worlds and collective imaginations. In the three-dimensional assembly "Etant Donnés" Duchamp works in secret for the last twenty years of his life. In 1968, when leaving New York to spend the summer in Europe, work is now over and Marcel before dying is concerned about organizing his final presentation by preparing a construction instruction manual, including photographs , note and a scale model. The still little-known work arises in the need to go beyond, to define and to fully shape the possible extension of the other, in the further need to metabolize reality. A whole-game invention on screening of fragments and "possible universes", between the freedom of creation and the intelligent globality of making art.
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