Exhibition, United Kingdom, London, 13 April 2017
PAINT IS MEMORY.
Using autobiographical memory as imaginary, I am interested in questioning, "the paintings as contemporary language"
As cognitive, intellectual, cultural and social memory of an individual built a unique identity on the structure of the paintings, all visual, intellectual and sensory memory along with the technical skills that the artist develops, construct a new visual identity singular and unrepeatable.
In my case, authors such as Marlene Dumas, Egon Schile, Rembrandt, Picasso, Kiefer, are part of the pictorial memory of my work.
The painting is not formed from the impulse or mere intuition; it contains in itself all the memory of the plastic language that has developed in the history of art, so it is kept alive and still managing to be a contemporary language, able to translate the twenty-first century.
Using autobiographical memory as imaginary, I am interested in questioning, "the paintings as contemporary language"
As cognitive, intellectual, cultural and social memory of an individual built a unique identity on the structure of the paintings, all visual, intellectual and sensory memory along with the technical skills that the artist develops, construct a new visual identity singular and unrepeatable.
In my case, authors such as Marlene Dumas, Egon Schile, Rembrandt, Picasso, Kiefer, are part of the pictorial memory of my work.
The painting is not formed from the impulse or mere intuition; it contains in itself all the memory of the plastic language that has developed in the history of art, so it is kept alive and still managing to be a contemporary language, able to translate the twenty-first century.
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