Biography
A desire to represent on canvas the beauty of movement in all its myriad forms is the chief inspiration for my painting. Attempts to convey the intangible in two dimensions present intriguing problems which in the solving, produce what I hope are, dynamic, exciting images.
Following on from the example of ‘Futurist’ painters such as Severini, Duchamp and Malevich, the use of sequential photography has helped me in my painting to deconstruct what the human eye takes for granted everyday.
Inspired by my graphic design/illustration background, I have also introduced text into the fabric of my work. Whilst acting as a spacial device within the composition, it also has the effect of focusing the viewers mind on the subject matter or indeed in some cases drawing it away, providing cryptic juxtapositions. The use of text also betrays the influence of Pop Art on my painting. This is also evident in the use of strong, primary colouring.
I have tended to use the more extreme, dynamic forms of movement as my subject matter. Sporting endeavour and the rhythm of the dance are notable examples of subjects which create arresting images, whilst also providing an emotional hook for the viewer.
