Biography
Our audiovisual research is based in two different worlds that are brought together in our live acts: the rational and the irrational ways in which people process the stimuli from images and music.
The rational side is based in the documentaristic carachter of some images, mixed with texts, with audio samples of speeches, interviews and daily sounds. With these experiments in the non-fiction realm, we explore the possibilities of live documentary as a new way of presenting a film to the audience, using elements that are not so common in the classical editing of a documentary, like repetition, juxtaposition and parallel dialectical frames to develop some story.
The second part, dealing with the irrational, explores the way people process images and sounds in a more sensitive way, intending to create feelings and sensations which are not easily explainable in words. The images suffer such a treatment leading to abstraction, with intense use of colours and lights to impress the sense of vision and relaxed soundscapes to create such an atmosphere of full immersion into the music.
Taking these premises we conceived and produced Flaneur Berlin.
