Biography
The technique based on a “little modules”construction allow a representation which at the same time catches the desc
The object is not a highlighted mere volume but the element of a composition which, defying the opaque density, points out towards a final outcome where everything is bent to a new formal order.
Naturally this order does not produce a sublimation of the specific splendour of the single element but it transforms each meaning into a single and transfigured significant.
In this research, objects are seen as metaphors of a fingerprint on the clay similar to a pixel (an image element) and through the multiplication of these elements the image is entirely created.
At first sight we can see a sort of accumulation clashing with the thick order which supports it.
But in the end it creates a orderly interpenetration which has been worked out to push on as far as the notches of each element.
In this way the multiplied and accumulated object follows an obsessing repetition; the represented object lives a repeated life which spreads out all over the space and along the endless and absolute time.
Pietro D'angelo
Gallery : Ermanno Tedeschi Gallery
