Biography
(...) The artist, through the imaginary Bear Winnie, introduces us to the silent planet's private diary, and everted rambling on which experience shapes and materials, crossroads of ideas and languages around the theme childhood retained. The crux is all here, in maintaining meaningful dialogue with the archetypes young age, in the detection of fragments of nature inspires many of the digressions in the form of mature reflection and color.
(...) The show is a long diary organic without apparent end, a joint circular fragments floating in the cosmos sentimental author. Change languages and approaches but does not change the attitude homogeneous continuous review of their roots. An excavation that enters as a perpetual emotional pitch, toward the deep groundwater of children dispersed to the foundation of all unrest, to the origin of the pains and passions. Whether paper, canvas, ceramics, collage or whatever, nothing changes in the disposition of sin is his eye in the middle between the roots and present, its tension to the story, the pathos to a story told that you have in the gallery in his steps sequential references between the contexts and characters, assembling cartoon that combines ideally allestitiva grammar.
By the way: do not forget that Winnie the Pooh, as well as eating honey and live in an old oak tree, composed poems. Who better could become a symbol found that childhood (real mature) which combines the clarity of instinct for the nuances of reason?
Gianluca Marziani
(Text extracted from the press release for the exhibition "Do not forget me!" At the gallery "Romberg Contemporary Art, Rome).
