Biography
My ongoing in art is essentially composed by two ways: one is a kind of minimalism that appears as the choice of an extreme and primary esthetical code; the other is “sedimentation”, a fixed look towards the problem of memory production: scoriae, existential drifts, history traces, passion and death…
I meet and gather things that capture my attention in some sense; I think, create and project, getting inspiration from places where I have to act and from arguments. The bottom of meaning is maybe that a red line is like a heap of scattered things: it is a sign, among the possible many…
“For sure, the best work we can do is ourselves”
