Hans Andre’s comments about his paintings

Hans Andre’s comments about his paintings

23 March 2016
" The painting, The Charm, made in 2015, originated in the bourgeois highly “discreet” charm and these people’s dominance and self-satisfaction but also lack of self-awareness. The idea came after participating in a snobbish event, it was actually a funeral, with, as always, the pompous and exagg...leggi tutto
The Sardines

The Sardines

01 December 2015
Get out from the ” Sardines ” At a time when more and more people tend to be conformist and where congestion is increasing among the uniformly shaped and where independent thought and action decreases, we must encourage those who dare, at least considering, to leave the can of sardines. Sure, there are...leggi tutto
The Charm

The Charm

27 October 2015
Video about the painting "The Charm". Visit : https://www.youtube.com/watch?v=NJeaIW_M8Zo
To Celeste

To Celeste

04 July 2015
Attached are a "screenshot" from the front page of today's Celeste Prize. I can agree that some of the ladies and pictures are good, but there must surely be more to show, especially given all the material received. Or is this only the curators opinion?
The importance of painting

The importance of painting

09 March 2015
New York Arts Magazine, NY Arts, recently published a post from Hans Andre where he talks about his paintings. "I do not really like to talk about my painting. However, just to paint because it is beautiful or aesthetically, I do not find it meaningful. I’m always looking for different layers i...leggi tutto
The Illusion

The Illusion

15 October 2014
A series of three, almost as a triptych. I do not like to talk about my paintings, they should only be seen in the eyes of the beholder. However, a few comments. In “The Dance “some got associations with an auctioneer or smokestacks in NYC. In “The Process”, a pumping heart and in “The Departure” either to A...leggi tutto
Unfortunately, Most People are Blind

Unfortunately, Most People are Blind

11 April 2014
Rarely do I willingly speak of my paintings. What I see is not necessarily ...... http://www.nyartsmagazine.com/?p=16684