Mostre, Regno Unito, Oxfordshire, Oxford, 24 July 2009
Exhibition, United Kingdom, 24 July 2009
Silence, Exile, and Cunning
SILENCE, EXILE, AND CUNNING: group exhibition at OXFORD Town Hall, PRIVATE VIEW: 6pm - 9pm Friday 24th July 2009, Open 10am - 5pm Saturday 25th July - Friday 7th August 2009
www.silenceinoxford.blogspot.com
featuring:
Amber Ablett, Ciro Barbieri, Marifer Barrero, Luke Carey, Ting Ting Cheng, Cristina Cojanu, Giorgio Garippa, Joep Overtoom, Oliver Palmer
Curated by Giorgio Garippa and Oliver Palmer
SILENCE, EXILE, AND CUNNING:
These artists both show and shun their social realities, re-naming its images and objects: these subjects’ objects object to their objectification. They pull apart the visual languages of old and lyricise with new syntaxes. Ordinarily, working at or beyond boundaries only expands those boundaries. The romantic struggle to create apart from and beyond a system without engendering a new and possibly equally restrictive system is likely doomed from the outset… but we always carry on. Why?
Nevertheless, at this Joycean impasse of tradition and authority, these artists have taken on the challenge of re-creating themselves and their surroundings by arming themselves with nothing but "Silence, Exile, and Cunning."
Silence, Exile, and Cunning
SILENCE, EXILE, AND CUNNING: group exhibition at OXFORD Town Hall, PRIVATE VIEW: 6pm - 9pm Friday 24th July 2009, Open 10am - 5pm Saturday 25th July - Friday 7th August 2009
www.silenceinoxford.blogspot.com
featuring:
Amber Ablett, Ciro Barbieri, Marifer Barrero, Luke Carey, Ting Ting Cheng, Cristina Cojanu, Giorgio Garippa, Joep Overtoom, Oliver Palmer
Curated by Giorgio Garippa and Oliver Palmer
SILENCE, EXILE, AND CUNNING:
These artists both show and shun their social realities, re-naming its images and objects: these subjects’ objects object to their objectification. They pull apart the visual languages of old and lyricise with new syntaxes. Ordinarily, working at or beyond boundaries only expands those boundaries. The romantic struggle to create apart from and beyond a system without engendering a new and possibly equally restrictive system is likely doomed from the outset… but we always carry on. Why?
Nevertheless, at this Joycean impasse of tradition and authority, these artists have taken on the challenge of re-creating themselves and their surroundings by arming themselves with nothing but "Silence, Exile, and Cunning."
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