Biography
My lifeline and art oscillated between psychological mellodrama, allegory of the natural fantastique and philosophical viewpoint. It is repeatedly exposed in the tragic and the myth of being. I consider authenticity my most important trait, with a clear resultation – not to conform one's interpretative intention to hermeneutical models. I perceive processuality, which accompanies the inception of a work of art, the same as the temporality of movement in the non-enclosedness of borders, as an unstopped subject inside the borders of my life, with a potential eternity of semantic chaining. I think that art is true by the option of perceiving, sort of uncovering the basics, from which the objective perception that is pushing away the sensory would be separated.
