The house of this evening, all mine
stunning post-apocalyptic ‘tree houses’ made of shattered buildings tower in desolated and beautiful landscapes.
Her digital manipulation work can be described as surreal, futuristic, imaginative, dreamy, playful and a little dark - all be it in a good way – yet still confronting the viewer with current social and environmental issues.
A recurrent obsession for ordinary objects allegorically camouflaged as other shapes
implicitly invites the viewer to look again and never take for granted, offering the opposite point of view from the expected or predicted one and pulverizing the naïve trust in what we consider real but may not be.
History, visual art and advertising flair mix up in her cross-contaminated and very own stylistic approach where art ultimately fulfills its goal becoming a playful tool, speaking in a versatile and universal alphabet.
Her digital manipulation work can be described as surreal, futuristic, imaginative, dreamy, playful and a little dark - all be it in a good way – yet still confronting the viewer with current social and environmental issues.
A recurrent obsession for ordinary objects allegorically camouflaged as other shapes
implicitly invites the viewer to look again and never take for granted, offering the opposite point of view from the expected or predicted one and pulverizing the naïve trust in what we consider real but may not be.
History, visual art and advertising flair mix up in her cross-contaminated and very own stylistic approach where art ultimately fulfills its goal becoming a playful tool, speaking in a versatile and universal alphabet.
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