The Confessional

In The Confessional, the medium’s capacity to read through gender is questioned as the most realistic representation is veiled with one’s projection.

The study recalls conflicts with ideals, interrogating eroticism and sacred embodiment, while the images unconsciously assert the inheritance of the traditional notion of posing and the mystification of the fragmented limb.
In the confessional space of photographic confinement, they aim to grasp the moment of engraved expectation and hypothetical reading of one’s visual reception.

There, the body is therefore discontinued, reaching towards a new grammar of presence, as the performing subject might only be available in appearance.