Two Doors, Bellevue Tennis Club
Image of abandoned tennis club in Bellevue State Park in Wilmington, DE, USA. Part of my series "Traces".
Wishing to expose the false sense of permanence that man-made structures ultimately represent, "Traces" explores the interaction of a permanent, undeniably universal constant (light) with seemingly permanent, but ultimately far more mercurial, environments (man-made structures). Through the use of both existing, natural light, and carefully controlled artificial lighting, a deconstruction of this reality occurs – one that draws parallels between the base fears of humanity itself (impermanence of life, loneliness, and eventual death) and the structures they erect – a shared sense of eventual and inevitable destruction.
Wishing to expose the false sense of permanence that man-made structures ultimately represent, "Traces" explores the interaction of a permanent, undeniably universal constant (light) with seemingly permanent, but ultimately far more mercurial, environments (man-made structures). Through the use of both existing, natural light, and carefully controlled artificial lighting, a deconstruction of this reality occurs – one that draws parallels between the base fears of humanity itself (impermanence of life, loneliness, and eventual death) and the structures they erect – a shared sense of eventual and inevitable destruction.
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