Senza titolo #6 (Luoghi di resistenza)

These works are inspired by a reflection on a few of DeLillo's novels: "White Noise" in particular, in which the disintegration and paranoia of modern American society emerge in a very thin but tough way at the same time. The shots furtively depict a portion of reality, a glimpse into the everyday that blends into an almost unreal atmosphere and in which terrible emotional deficits become palpable. The portraits become more and more confusing, comparable to the theater of the absurd, and are capable of raising an occasional smile in spite of the tragic sense of drama that the characters are experiencing.
This sort of falsification of the image - that narrates with contingencies through fragmented actions - creates ambiguity and disorientation, highlighting a social condition of a precarious balance between "what it is" and "what it could be". Facts and fiction, perception and reality mingle to make room for naturalistic fragments and existential references in which the figures powerfully emerge to tell about an unclear past or a pending present, only to then be resolved in the course of the work transforming the environments into illusory and ambivalent scenarios.