Prairie Sunset
JEFF FERST COMMENTARY
Painting is philosophy made incarnate, a sense of the world embodied in visual and material form. Painting is a guide to how we might relate to the world, as if it were a newly discovered land.
In Jeff Ferst’s paintings, we encounter a world that just won’t stop whirling and scintillating. More precisely, it is made of many worlds, arcing nodes that intersect with other circles to create a myriad of connections. Each world is a kind of sphere of influence, a locus of energy, but never existing independently of the entire matrix. It is that interplay that gives Ferst’s paintings their distinctive, playful musicality.
Essential to the paintings’ structure are the blocks of color that compose the curving circuitry. These blocks, themselves often inset with concentric squares, act like the tesserae of mosaics, simultaneously creating and deconstructing form. And they give the paintings a jewel-like quality, as if reflecting light from its complex surface.
Painting is philosophy made incarnate, a sense of the world embodied in visual and material form. Painting is a guide to how we might relate to the world, as if it were a newly discovered land.
In Jeff Ferst’s paintings, we encounter a world that just won’t stop whirling and scintillating. More precisely, it is made of many worlds, arcing nodes that intersect with other circles to create a myriad of connections. Each world is a kind of sphere of influence, a locus of energy, but never existing independently of the entire matrix. It is that interplay that gives Ferst’s paintings their distinctive, playful musicality.
Essential to the paintings’ structure are the blocks of color that compose the curving circuitry. These blocks, themselves often inset with concentric squares, act like the tesserae of mosaics, simultaneously creating and deconstructing form. And they give the paintings a jewel-like quality, as if reflecting light from its complex surface.
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