Pittura, Astratto geometrico, Tecnica mista, 20x20cm
I am interested in the physiological process of how we see the world and seek to incorporate this in the work I create reflecting upon our ability to change focus; seeing not only what is visible, but also the non-visible, yet possible through the lens of the verbal and non-verbal languages which we carry with us. The cultural component of language that fascinates me the most is that of history/memory, which is formed by both the individual and the group. Through the use of layering, I hope to create a sense of simultaneity while making reference to a great history within the artwork. With cell-like structures in my visual language I explore the layers of communication occurring within and between bodies.. I also use the grid upon which information flows and structure, or better order, is maintained or disrupted. I do not wish to reduce the paintings to purely philosophical excavations into language and physiology no more than I wish them to be taken as pure non-objective designs. I hope to create an aesthetically positive experience for the viewer which is not just a pleasant picture, but should leave the viewer with a sense of possibility for the history and memory that will be.
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