Tyndall & Company
Fotografia Digitale, Illustrazione, Digitale, 130x90cm
I used eight photographic images, of eight people in different historical moments and I made a painting like a family photo.
I worked myself as a camera. I was impressed meeting the light and the darkness like a photosensitive material. I let the brush touch without movement. I tried to produce a hand-made-photo. This photo-painting was the basis of a digital photo (electrical and non-electrical technique)
Subject of the image: I staged a society: eight figures, scientists and artists, which were concerned with structural blue, optical effects related to blue (by left: Francoise Hardi - L'heure bleue, Claude Monet - The Magpie, Jan Fabre - L'heure bleue, Albert Einstein - explanation of why the sky is blue, John Tyndall - Tyndall effect, Leonardo da Vinci - Journals and notes, John William Strutt Rayleigh - Rayleigh effect, Lucie Debelkova - blue hour photos.)
They studied the blue by scientific and artistic methods: producers and censors themselves.
I worked myself as a camera. I was impressed meeting the light and the darkness like a photosensitive material. I let the brush touch without movement. I tried to produce a hand-made-photo. This photo-painting was the basis of a digital photo (electrical and non-electrical technique)
Subject of the image: I staged a society: eight figures, scientists and artists, which were concerned with structural blue, optical effects related to blue (by left: Francoise Hardi - L'heure bleue, Claude Monet - The Magpie, Jan Fabre - L'heure bleue, Albert Einstein - explanation of why the sky is blue, John Tyndall - Tyndall effect, Leonardo da Vinci - Journals and notes, John William Strutt Rayleigh - Rayleigh effect, Lucie Debelkova - blue hour photos.)
They studied the blue by scientific and artistic methods: producers and censors themselves.
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