Rubira's work raises a relationship with nature through a minimum gesture, which is maybe, the only way to approach this experience, that means, through the landscape the artist will find the best way to understand space. The space for Rubira inevitably is going to have a film presence, or, in other words, the artist will understand that objects, nature in this case, is no longer the same after his second birth due to the presence of the movie camera that records and consolidate the experience, this experience will focus on the fascination or, Bonitzer´s phrase that reads: "representation is not, if it ever was, that maniac repetition of what is seen, it is also evoking the hidden " 2. A crack, a horizon will no longer find their way directly into the exact representation, but, thanks to the accurate representation the objects will be empty of meaning and will point out all this silent world around them, and which they take part of.
(La Visión de la Naturaleza) ext. Jorge Aycart
