Non dite che siamo pochi

Non dite che siamo pochi

by
In Conflict Projects
Non dite che siamo pochi nasce da una riflessione sull’immagine e sul suo utilizzo all’interno della comunicazione politica e giornalistica. Non dite che siamo pochi si pone in continuità con una cert...Read all
Between, Young Refugees in Search of a Life in Dignity

Between, Young Refugees in Search of a Life in Dignity

by
In Conflict Projects
All human beings are born free and equal in dignity and rights. Article 1 of the Universal Declaration of Human Rights An increasing number of children adolescents set off and leave parents and their...Read all
Homecoming (ritorno a casa)

Homecoming (ritorno a casa)

by
In Conflict Projects
Until a very recent past, in every patriarchal society, woman was forced to an exile from her biological roots. The first rule of marriage was patrilocality, which means the bride's separation from her...Read all
Natura morta

Natura morta

by Alice Tempesta
In Conflict Projects
Family Tree 1: Daphrose's Family

Family Tree 1: Daphrose's Family

by Blakely/Lloyd
In Conflict Projects
This is Daphrose’s family. It is a work consisting of 37 panels: portraits of those who survived the Genocide while the black images represent those family members who were slain. Some yet to be baptised. How d...Read all
Theater of war

Theater of war

by Emeric Lhuisset
In Conflict Projects
Emeric Lhuisset deals with this issue of staging the real; media staging actors of a conflict, and the media being manipulated by these same actors, who act and stage themselves. In Theater of war project,...Read all
Visualising Illness

Visualising Illness

by George Selley
In Conflict Projects
In June 2012 my father Peter was diagnosed with a Glioblastoma Multiforme grade 4, a type of brain tumour, and the most aggressive cancer that begins in the brain. Officially there is no clear way to prevent...Read all
Password: Fajara 00:49:49

Password: Fajara 00:49:49

by Séverine Séverine Sajous
In Conflict Projects
In the past two years, 10,000 people have gone through the Jungle of Calais, the biggest shantytown of Europe. Coming from Sudan, Iraq, Afghanistan or Eritrea they have run away from war, oppression and...Read all
"Lands of No-Return" (2009-2016)

"Lands of No-Return" (2009-2016)

by Viktoria Sorochinski
In Conflict Projects
“Lands of No-Return” (Chapter 1, 2009 / Chapter 2, 2016) is a long-term, ongoing project portraying the last remains of the authentic Ukrainian villages and their elderly inhabitants. The current con...Read all
Vacant

Vacant

by
In Conflict Works
This is a digital photographic work that explores the vulnerability of black femininity in white spaces.
As nymphes of the sweet waters.

As nymphes of the sweet waters.

by Silvana Abram
In Conflict Works
I assumed a surreal position to the contemporary conflicts, by the peaceful conquest of original nudity, of innocence of natural being, like a people who nothing owns – except freedom.
Taking a Stand in Baton Rouge

Taking a Stand in Baton Rouge

by Jonathan Bachman
In Conflict Works
Lone activist Ieshia Evans stands her ground while offering her hands for arrest as riot police charge towards her during a protest against police brutality outside the Baton Rouge Police Department in...Read all
Help Me

Help Me

by João Coutinho
In Conflict Works
Domestic violence involves behaviors used in a relationship by one party, especially to control the other. It is a conflict that can be verbal or physical before the Human Being. Victims can be rich...Read all
The Free Runners of Gaza

The Free Runners of Gaza

by Ruben Hamelink
In Conflict Works
The story of a group of teenagers in Gaza defying oppression by creating their own domain of freedom through the art of Parkour. The 2014 Israel-Gaza war left 18,000 Gazan homes completely destroyed,...Read all
Duality and the Double Barrel

Duality and the Double Barrel

by john huneycutt
In Conflict Works
Aluminum Print from Original Ambrotype using the Wet Plate Collodion Process
Cauda Pavonis

Cauda Pavonis

by john huneycutt
In Conflict Works
Aluminum Print from Original Ambrotype usinf the Wet Plate Collodion Process
'I am a Pole so I have polish responsibilites' aka 'Self-portrait with borrowed man' from the series 'Methods of camouflage in contemporary Poland'

'I am a Pole so I have polish responsibilites' aka 'Self-portrait with borrowed man' from the series 'Methods of camouflage in contemporary Poland'

by Liliana Piskorska
In Conflict Works
'Jestem Polakiem więc mam obowiązki polskie' means : 'I am a Pole so I have polish responsibilites' Poland in the last few years, more and more flows with different visual possibilities to manifest p...Read all
Moral indignation do not cross

Moral indignation do not cross

by Milica Vergot
In Conflict Works
Conflict about all rights reserved for the video